"Lullaby" by Arnold Bax, Ashley Wass had its release date on February 21, 2006. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 11 in Bax: Piano Works, Vol. 3 by Arnold Bax, Ashley Wass. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Lullaby is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lullaby by Arnold Bax, Ashley Wass is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonia antartica "Symphony No. 7": II. Scherzo. Moderato | Ralph Vaughan Williams, BBC Symphony Orchestra, Martyn Brabbins | B♭ Major | 2 | 6B | 125 BPM | ||
| Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | A♭ Minor | 0 | 1A | 71 BPM | ||
| The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Bartók: Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Béla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | B Major | 0 | 1B | 105 BPM | ||
| Cello Concerto, Op. 22: II. Andante sostenuto | Samuel Barber, Baltimore Symphony Orchestra, Yo-Yo Ma, David Zinman | F♯ Minor | 0 | 11A | 88 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | G Major | 1 | 9B | 66 BPM | ||
| Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | A♭ Major | 1 | 4B | 82 BPM | ||
| Viola Sonata: III. Molto lento | Arnold Bax, Martin Outram, Julian Rolton | G Major | 0 | 9B | 92 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| A Song before Sunrise | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 135 BPM | ||
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 79 BPM | ||
| Concerto for 2 Pianos, FP. 61: III. Allegro molto | Francis Poulenc, Leonard Bernstein, New York Philharmonic, Artur Gold, Robert Fizdale | A Minor | 3 | 8A | 100 BPM | ||
| Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| Piano Concerto in C Major, Op. 39: II. Pezzo giocoso. Vivacemente, ma senza fretta - Live | Ferruccio Busoni, Boston Symphony Orchestra, Sakari Oramo, Kirill Gerstein | F♯ Minor | 2 | 11A | 100 BPM | ||
| Klokkeklang, Op. 54, No. 6 | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | C Major | 0 | 8B | 131 BPM | ||
| Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Debussy: 6 Épigraphes antiques, CD 139, L. 131: No. 1, Pour invoquer Pan, dieu du vent d'été (Arr. Paillard for String Orchestra) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Minor | 2 | 7A | 178 BPM | ||
| Falla: Noches en los jardines de España: I. En el Generalife | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields, Tzimon Barto | G Major | 1 | 9B | 66 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Nocturne in B Major, Op. 40, B. 47 | Antonín Dvořák, Baltimore Symphony Orchestra, Marin Alsop | B Major | 0 | 1B | 85 BPM | ||
| Symphony No. 6 in D Major, Op. 104: IV. Allegro molto - Allegro assai - Doppio più lento | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM | ||
| Lullaby | Arnold Bax, Ashley Wass | D Major | 0 | 10B | 91 BPM |