Rashmi Yogini's ' "Om Sham Shaneshchraye Namah" was released on its scheduled release date, December 1, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rashmi Yogini, Anil Amrit Rajbhar's "Har Har Gange" album is number 2 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Om Sham Shaneshchraye Namah's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Om Sham Shaneshchraye Namah by Rashmi Yogini to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ram Na Vicharo Mare | Kiran Prajapati | B♭ Minor | 7 | 3A | 147 BPM | ||
| Kachi Re Matinu Kodiyu | Hari Bharwad | A♭ Major | 5 | 4B | 106 BPM | ||
| Sita Sita Ram Hanuman Chalisa | Avinash Karn, Rashmi Yogini | F♯ Major | 9 | 2B | 150 BPM | ||
| Ek Din Wo Bhole Bhandari | Rashmi | F♯ Major | 8 | 2B | 80 BPM | ||
| Mumtaz(Lo-Fi) | Kalakaar | D♭ Major | 5 | 3B | 126 BPM | ||
| Jai Shree Hari Vishnu | Rashmi Yogini | B Minor | 10 | 10A | 128 BPM | ||
| Supa Supa | Shivkumar Tiwari | A♭ Minor | 8 | 1A | 174 BPM | ||
| Tohre Sevekwa Maiya | Bharat Sharma Vyas | C Minor | 7 | 5A | 159 BPM | ||
| Dattachi Aarti | Sejal Marathe | F Major | 4 | 7B | 175 BPM | ||
| Om Jai Shiv Omkara | Larissa Almeida | F♯ Major | 5 | 2B | 86 BPM | ||
| Aarti Ho Dev Jambheshwar Dev | Sameer Bishnoi | D♭ Major | 8 | 3B | 90 BPM | ||
| Dawa Hath Me Bhalo Ramapeer Re | Prakash Mali | C Minor | 6 | 5A | 101 BPM | ||
| Sheetali Aihein Angana | MANOJ TIWARI | F♯ Major | 4 | 2B | 114 BPM | ||
| Hare Krishna Kirtan 8 | Sachi kumar Das | B Minor | 7 | 10A | 120 BPM | ||
| Veer Katha | Jog Bharti | B♭ Major | 8 | 6B | 85 BPM | ||
| Rudrashtakam Stotram | Avinash Karn, Rashmi Yogini | E Minor | 5 | 9A | 120 BPM | ||
| Mero to Aadhar Dwarkesh Ke Charnarvind | Nidhi Dholakia | B Major | 4 | 1B | 168 BPM | ||
| Dhanush Bhang Chhand | Deep, Ajay Bhai Ji | A♭ Minor | 9 | 1A | 102 BPM | ||
| Majhya Saicha Udo | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Kalyug Me Momaji Ne Sivaru | Viru Nehad, Rekha Parmar | E♭ Major | 8 | 5B | 81 BPM | ||
| Mera Sankat Katane Wala Hain | Manish Tiwari | F♯ Major | 4 | 2B | 177 BPM | ||
| Bhole Tere Jaisa Naa Bhartar | Udayveer Chauhan, Rashmi Yogini | F♯ Major | 10 | 2B | 145 BPM | ||
| Ram Aayenge | Rashmi Yogini | D♭ Major | 6 | 3B | 86 BPM | ||
| Gehri Narbada N Gehro Pani | Maa Narmada Bhajan | Ashwin Yadav | F♯ Major | 9 | 2B | 75 BPM | ||
| Bar Ajgut Dekhal Tor Angana | Devi | B♭ Major | 6 | 6B | 110 BPM |