Delius: Brigg Fair "An English Rhapsody": Variation XVII. Rather Slower, Very Broadly by Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra Song Details

"Delius: Brigg Fair "An English Rhapsody": Variation XVII. Rather Slower, Very Broadly" by Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra had its release date on February 7, 2011. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 88 in the song's album "Sir Thomas Beecham: The English Collection". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Delius: Brigg Fair "An English Rhapsody": Variation XVII. Rather Slower, Very Broadly's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Delius: Brigg Fair "An English Rhapsody": Variation XVII. Rather Slower, Very Broadly by Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.

Music Key

A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -16.492 dB
Acousticness: 88%
Danceability: 16%
Energy: 12%
Instrumentalness: 92%
Liveness: 14%
Loudness: 73%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 3, "Pastoral Symphony": II. Lento moderato	Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels	G Minor	0	6A	88 BPM
A Little Book of Hours: VI. Singing Sun	Peter Sculthorpe, Elena Riu	B♭ Major	0	6B	79 BPM
Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	G Major	1	9B	97 BPM
Intermezzo and Serenade from Hassan	Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner	F Major	0	7B	87 BPM
Nocturne in B Flat Major, H. 37 (Version for Harp)	John Field, Magdalena Hoffmann	B♭ Major	1	6B	97 BPM
Appalachian Spring Suite: I. Very Slowly	Aaron Copland, Los Angeles Philharmonic, Zubin Mehta	A Major	0	11B	71 BPM
A Shropshire Lad - Rhapsody	George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner	A♭ Major	1	4B	95 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Prélude, Op. 11 No. 1	Anatoly Lyadov, Yoko Kikuchi	G Major	0	9B	69 BPM
Suite: O, Waly Waly	John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones	G Major	0	9B	95 BPM
3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano)	Gabriel Fauré, María Dueñas, Itamar Golan	D Major	1	10B	87 BPM
An English Suite: VI. Air	Hubert Parry, London Symphony Orchestra, Sir Adrian Boult	G Major	0	9B	91 BPM
The Planets, Op. 32: II. Venus, the Bringer of Peace	Gustav Holst, London Symphony Orchestra, Sir Colin Davis	A♭ Major	0	4B	83 BPM
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	G Minor	1	6A	105 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7	Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin	A Major	0	11B	87 BPM
Nocturne No. 1 in E-Flat Major, H. 24	John Field, Elizabeth Joy Roe	E♭ Major	0	5B	75 BPM
Petite suite de concert, Op. 77: II. Demande et reponse	Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman	G Major	0	9B	90 BPM
6 Pezzi, P. 44: No. 1. Valse Caressante	Ottorino Respighi, Konstantin Scherbakov	E♭ Major	1	5B	70 BPM
Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen)	Robert Schumann, Lucerne Festival Strings, Daniel Dodds	B Major	1	1B	113 BPM
By the Sleepy Lagoon	Eric Coates, John Wilson, BBC Philharmonic	C Major	1	8B	77 BPM
Spartacus: Adagio of Spartacus and Phrygia	Aram Khachaturian, Wiener Philharmoniker	A♭ Major	1	4B	129 BPM
Bagatelles et impromptus, JB 1:19: VII. Love	Bedřich Smetana, William Howard	A Major	0	11B	76 BPM
Petite suite de concert, Op. 77: III. Un sonnet d'amour	Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman	A Major	0	11B	70 BPM
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered	Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein	D♭ Major	0	3B	86 BPM
Pavane, Op. 50 (Version for Piano)	Gabriel Fauré, Jorge Federico Osorio	F♯ Minor	0	11A	75 BPM