"String Quartet No. 2 "Summer Tunes": I. Coming Into Bloom" by Pēteris Vasks, Navarra Quartet had its release date on September 3, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "String Quartets Nos. 1-3". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. String Quartet No. 2 "Summer Tunes": I. Coming Into Bloom is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 2 "Summer Tunes": I. Coming Into Bloom by Pēteris Vasks, Navarra Quartet having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 1 | 9A | 76 BPM | ||
| Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | E Minor | 0 | 9A | 78 BPM | ||
| String Octet in C Major, Op. 7 (Version for String Orchestra): Même temps | George Enescu, Tabea Zimmermann, Ensemble Resonanz | B Major | 0 | 1B | 72 BPM | ||
| 10.1 | jung jaeil, Budapest Scoring Orchestra and Choir, Jung Eun Hye | G Minor | 0 | 6A | 67 BPM | ||
| Woman's Prayer | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
| Monsoon | Thrya | E Major | 1 | 12B | 77 BPM | ||
| O Virtus Sapientiae | Hildegard von Bingen, Marion Frère, Mar' et Balt', Balthazar Naturel | A Minor | 0 | 8A | 75 BPM | ||
| Nocturne I | Jane Antonia Cornish, Decoda | G Minor | 1 | 6A | 85 BPM | ||
| Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Assyrian Women Mourners | G. I. Gurdjieff, Thomas de Hartmann, Gurdjieff Quartet | B♭ Minor | 2 | 3A | 87 BPM | ||
| Stille Musik: II. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM | ||
| Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
| Troisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | F Major | 1 | 7B | 87 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| Poem for String Quartet | Rebecca Clarke, Barbican Quartet | F Major | 1 | 7B | 87 BPM | ||
| Secreto | Federico Mompou, Anja Lechner, François Couturier | D♭ Major | 0 | 3B | 145 BPM | ||
| Piece in D Minor, WK 205. Arpeggio - No. 20 from "27 Pieces for Bass Viol - The Drexel Manuscript 5871" | Carl Friedrich Abel, Philippe Pierlot | D♭ Minor | 0 | 12A | 107 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | F Major | 1 | 7B | 87 BPM | ||
| Violin Concerto No.2 "The American Four Seasons" - Prologue | Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra | D Minor | 0 | 7A | 106 BPM | ||
| Night Song | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Minor | 1 | 8A | 115 BPM | ||
| String Quartet, No. 4: I. Elegy | Pēteris Vasks, Spīķeru String Quartet | A Major | 0 | 11B | 80 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | F Major | 1 | 7B | 87 BPM | ||
| Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | F Major | 1 | 7B | 87 BPM |