Viktor Raychev, Любомир Бодуров, Лиляна Жабленска, Оркестър на Държавен музикален театър Стефан Македонски's ' "Младостта на маестрото: Дует на Камелия и Маестрото" was released on its scheduled release date, October 3, 1961. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in Избрани арии от оперети, so we believe that "Младостта на маестрото: Дует на Камелия и Маестрото" is a single. Младостта на маестрото: Дует на Камелия и Маестрото is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Младостта на маестрото: Дует на Камелия и Маестрото by Viktor Raychev, Любомир Бодуров, Лиляна Жабленска, Оркестър на Държавен музикален театър Стефан Македонски is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don Giovanni, K. 527: Act II: Don Giovanni, a cenar teco (Andante: Il Commendatore, Don Giovanni, Leporello) | Wolfgang Amadeus Mozart, Teodor Currentzis, musicAeterna, Dimitris Tiliakos, Vito Priante, Mika Kares | D Minor | 2 | 7A | 124 BPM | ||
| Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Ecco, ridente in cielo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | C Major | 1 | 8B | 166 BPM | ||
| Los Gavilanes: "Amigos, siempre amigos" | Coro Cantores de Madrid, Teresa Berganza | A Major | 2 | 11B | 129 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Lohengrin, WWV 75 / Act III: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
| Adriana Lecouvreur (1997 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Philharmonia Orchestra, Tullio Serafin | A♭ Major | 1 | 4B | 80 BPM | ||
| Debussy: Lakmé, Act 1: "Fantaisie aux divins mensonges" (Gérald) | Léo Delibes, Alain Lombard, Mady Mesplé, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'Opera Comique, Bernadette Antoine, Charles Burles, Orchestre du Theatre National de IOpera-Comique | A♭ Major | 2 | 4B | 86 BPM | ||
| Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
| Les Contes d'Hoffmann / Act II: Barcarolle | Anna Netrebko, Elina Garanca, Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir | D Major | 1 | 10B | 91 BPM | ||
| Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
| Porgy And Bess: A Woman Is a Sometime Thing | George Gershwin, Alexander B. Smalls, John DeMain, Houston Grand Opera Orchestra, Houston Grand Opera | E Minor | 1 | 9A | 109 BPM | ||
| Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
| Nabucco: Slave Chorus | London Festival Orchestra | F♯ Major | 2 | 2B | 102 BPM | ||
| Un ballo in maschera / Act 3: "Siam soli. Udite" | Giuseppe Verdi, Renato Bruson, Giovanni Foiani, Ruggero Raimondi, Katia Ricciarelli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM | ||
| La boheme: Act I: O soave fanciulla (Rodolfo, Mimi) | Giacomo Puccini, Stanislav Beňačka, Carmen Gonzales, Ladislav Hallon, Richard Novak, Luba Orgonasova, Fabio Previati, Boaz Senator, Jiri Sulzenko, Ivan Urbas, Jonathan Welch, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Will Humburg | A Major | 0 | 11B | 128 BPM | ||
| Les pêcheurs de perles, WD 13 / Act I: "C'était le soir" ... "Au fond du temple saint" | Georges Bizet, Rolando Villazón, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin | E Major | 0 | 12B | 79 BPM | ||
| Song To The Moon - Excerpt From The Opera Rusalka | Gabriela Beňačková, Czech Philharmonic | F♯ Major | 0 | 2B | 132 BPM | ||
| Die Walküre, Act I Scene 3: Du bist der Lenz | Richard Wagner, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 99 BPM | ||
| Il Barbiere di Siviglia: Se il mio nome saper voi bramate - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | F Major | 2 | 7B | 118 BPM | ||
| Cavalleria Rusticana - Finale | Carmine Coppola | D♭ Minor | 1 | 12A | 92 BPM | ||
| Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Jacques Pruvost, Robert Geay, George London, Michel Sénéchal, Jean Christophe Benoit, Jean-Pierre Laffage, Nicola Ghiuselev, André Malla | D Major | 1 | 10B | 90 BPM | ||
| Chanson Bohème | Katherine Jenkins | C Major | 2 | 8B | 136 BPM | ||
| Bizet: Carmen, Act II: No.14 Couplets: Votre toast, je peux vous le rendre...Toréador, en garde! (Escamillo/Carmen/Frasquita/Mercédès/Moralès/Zuniga/Amis d'Escamillo) | Georges Bizet, Thomas Hampson, Michel Plasson, Orchestre National Du Capitole De Toulouse | F Major | 3 | 7B | 175 BPM | ||
| Don Carlo: "Per me guinto - O Carlo ascolta" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | A♭ Major | 2 | 4B | 79 BPM | ||
| Il Trovatore: Act II: Scene 1: Vedi! le fosche notturne spoglie... Chi del gitano i giorni abbella? | Giuseppe Verdi, Zubin Mehta | G Major | 4 | 9B | 128 BPM |