- BPM
- 135
- Key
- E Minor
- Camelot
- 9A
Piano Album I: Ah Jim… by Ned Rorem, Carolyn Enger Song Details
"Piano Album I: Ah Jim…" by Ned Rorem, Carolyn Enger had its release date on October 1, 2013. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Rorem: Piano Album I & Six Friends". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Piano Album I: Ah Jim…'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Piano Album I: Ah Jim… by Ned Rorem, Carolyn Enger having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -40.51 dB
- Acousticness
- 99%
- Danceability
- 54%
- Energy
- 0%
- Instrumentalness
- 90%
- Liveness
- 19%
- Loudness
- 32%
- Speechiness
- 36%
- Valence
- 0%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Jesu dulcis memoria (Arr. Leopold Stokowski) | Tomás Luis de Victoria, Matthias Bamert, BBC Philharmonic | A Minor | 0 | 8A | 81 BPM | |
 | A Severn Rhapsody, Op.3 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 66 BPM | |
 | 18 Miniatures for Violin & Piano: No. 18, Dolce | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | N/A | N/A | N/A | 0 BPM | |
 | Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | C Major | 0 | 8B | 173 BPM | |
 | 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | |
 | Delius: Irmelin Prelude | Frederick Delius, Sir John Barbirolli, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | |
 | Festive Alleluias | Ned Rorem, St Martin's Voices, Andrew Earis | A♭ Major | 1 | 4B | 91 BPM | |
 | Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | |
 | Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | |
 | Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | |
 | Lamentate: Pregando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D♭ Minor | 0 | 12A | 68 BPM | |
 | 4 Gesänge, Op. 43: No. 2, Die Mainacht (Arr. for Clarinet and Piano by R. Sévère) | Johannes Brahms, Raphaël Sévère, Adam Laloum | A♭ Major | 0 | 4B | 68 BPM | |
 | Oscher: Rapsodia latina: I. Guajira | Efraín Oscher, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | D Minor | 2 | 7A | 78 BPM | |
 | Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 78 BPM | |
| Two Psalms and a Proverb: I. Behold How Good and How Pleasant it is | Ned Rorem, St Martin's Voices, Piatti Quartet, Toby Hughes, Andrew Earis | A♭ Major | 1 | 4B | 92 BPM | |
 | Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | |
 | Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | |
 | Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | |
 | Our Town, Act III: "One Can Go Back Again . . . Into Living" | Ned Rorem, Margot Rood, Krista River, Glorivy Arroyo, Stanley Wilson, Matthew DiBattista, Gil Rose | C Major | 1 | 8B | 76 BPM | |
 | Bartók: Piano Concerto No. 3 in E Major, Sz. 119: I. Allegretto | Béla Bartók, András Schiff, Iván Fischer, Budapest Festival Orchestra | B Major | 2 | 1B | 155 BPM | |
 | Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | G Major | 0 | 9B | 88 BPM | |
 | Love | Ned Rorem, Thomas Lodge, Aaron Parks, Almaz Yebio | F Major | 1 | 7B | 134 BPM | |
 | Seven Motets for the Church Year: Lay Up for Yourselves | Ned Rorem, Concora, Larry Allen, David Westfall, Carol Allen, Stacey Grimaldi, Richard Coffey | D Minor | 1 | 7A | 76 BPM | |
 | Nocturne | Lili Boulanger, Olivier Charlier, Emile Naoumoff | C Minor | 0 | 5A | 71 BPM | |
 | 3 Mélodies (1916) - orchestrated by Robert Carby: 1. Daphénéo | Erik Satie, Measha Brueggergosman, BBC Symphony Orchestra, David Robertson | F Minor | 0 | 4A | 133 BPM |
- ISRC
- HKI191318016
- Label
- L-M Records/RCA Records