"Two Psalms and a Proverb: I. Behold How Good and How Pleasant it is" by Ned Rorem, St Martin's Voices, Piatti Quartet, Toby Hughes, Andrew Earis had its release date on March 28, 2025. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Two Psalms and a Proverb: I. Behold How Good and How Pleasant it is's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Rorem: Choral Works". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Two Psalms and a Proverb: I. Behold How Good and How Pleasant it is is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Two Psalms and a Proverb: I. Behold How Good and How Pleasant it is by Ned Rorem, St Martin's Voices, Piatti Quartet, Toby Hughes, Andrew Earis having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Quintet No. 1 "Margarete": I. Prelude and Chorale | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | B♭ Minor | 0 | 3A | 92 BPM | ||
| Blumenleben, Op. 19: No. 2, Veilchen | Dora Pejačević, Natasa Veljkovic | B♭ Major | 0 | 6B | 171 BPM | ||
| Trys Preliudai I | Mikalojus Konstantinas Čiurlionis, Arvydas Malcys | A Minor | 1 | 8A | 78 BPM | ||
| L'omnibus automobile | Erik Satie, Measha Brueggergosman, William Bolcom | F Minor | 0 | 4A | 133 BPM | ||
| Requiem, Op. 9: I. Introit | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | E♭ Major | 2 | 5B | 122 BPM | ||
| 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
| Chansons pour les oiseaux: No. 2, Le petit pigeon bleu | Louis Beydts, Julie Roset, Susan Manoff | B♭ Minor | 0 | 3A | 92 BPM | ||
| Remember Me (Arr. Hough for Piano) - From "Coco" | Stephen Hough | B♭ Minor | 0 | 3A | 92 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Scenes de la foret, Op. 123: No. 1, Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | A♭ Major | 0 | 4B | 60 BPM | ||
| Our Town, Act III: "Look! There's the Church Where I Got Married!" | Ned Rorem, Margot Rood, Matthew DiBattista, Angela Gooch, David Kravitz, Gil Rose | G Major | 2 | 9B | 100 BPM | ||
| Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | ||
| 18 Miniatures for Violin & Piano: No. 18, Dolce | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | N/A | N/A | N/A | 0 BPM | ||
| Our Town, Act II: "Hello There, George. Howdy, Emily" | Ned Rorem, Matthew DiBattista, Brendan Buckley, Margot Rood, Glorivy Arroyo, Gil Rose | C Major | 1 | 8B | 95 BPM | ||
| Tre Pezzi: 1. Recercar super LA-FA-SOL-LA-RE (Transcription By Bruno Maderna) | Girolamo Frescobaldi, Orchestra della Svizzera Italiana, Dennis Russell Davies | A Minor | 1 | 8A | 140 BPM | ||
| Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | A Minor | 0 | 8A | 65 BPM | ||
| Alain: Berceuse sur deux notes qui cornent | Jehan Alain, Marie-Claire Alain | A♭ Major | 0 | 4B | 68 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
| Diagram and Projection: V. The Migration of Butterflies | Alessio Santolini Raggi | B♭ Minor | 0 | 3A | 92 BPM | ||
| Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
| Our Town, Act II: "Emily, Can I Carry Your Books Home for You?" | Ned Rorem, Brendan Buckley, Margot Rood, Stefan Barner, Jonas Budris, Jason Connell, Gil Rose | F Major | 2 | 7B | 92 BPM | ||
| Our Town, Act III: "One Can Go Back Again . . . Into Living" | Ned Rorem, Margot Rood, Krista River, Glorivy Arroyo, Stanley Wilson, Matthew DiBattista, Gil Rose | C Major | 1 | 8B | 76 BPM | ||
| Les chansons des roses: V. Dirait-on | Morten Lauridsen, Polyphony, Stephen Layton | D♭ Major | 0 | 3B | 132 BPM |