"Tissue No. 7" by Philip Glass, Wendy Sutter had its release date on February 1, 2008. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Philip Glass: Songs and Poems for Solo Cello". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Tissue No. 7 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tissue No. 7 by Philip Glass, Wendy Sutter having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Four Hands | Nils Frahm | B♭ Minor | 2 | 3A | 51 BPM | ||
| The Flight | Peter Scherer | A Minor | 1 | 8A | 75 BPM | ||
| A Trick of the Light | Esmerine | C Major | 1 | 8B | 84 BPM | ||
| The Crying Owl | Luis Berra | B Minor | 2 | 10A | 110 BPM | ||
| whit | Akira Kosemura | D♭ Minor | 2 | 12A | 140 BPM | ||
| Spectre | Rob Simonsen | F Major | 1 | 7B | 99 BPM | ||
| Stockholm | Melissa Parmenter | E♭ Major | 0 | 5B | 133 BPM | ||
| Þú ert jörðin | Ólafur Arnalds | A Minor | 3 | 8A | 82 BPM | ||
| G-Song | Kronos Quartet | G Minor | 2 | 6A | 109 BPM | ||
| Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
| From The Invisible To The Visible | Shara Worden, Nadia Sirota | C Minor | 1 | 5A | 74 BPM | ||
| Improv #10 - One Last Thought | The Daydream Club | A Minor | 1 | 8A | 75 BPM | ||
| Film Credits (Arr. For String Quartet) | Iskra String Quartet, Iskra Strings, Ólafur Arnalds | E Minor | 1 | 9A | 81 BPM | ||
| Spaces | Sigríður | F Minor | 0 | 4A | 61 BPM | ||
| Just Good Friends | Anne Dudley | G Major | 1 | 9B | 71 BPM | ||
| Intervention | Gabriel Parker | D Major | 1 | 10B | 111 BPM | ||
| Requiem for Cello Alone: IV. Lacrimosa | Peter Sculthorpe, Pieter Wispelwey | D Minor | 0 | 7A | 131 BPM | ||
| Candela (For Sascha Heeney) | Matthew Bourne | G Minor | 1 | 6A | 130 BPM | ||
| Tre Laude Dolce: I | Gavin Bryars, Matthew Barley | C Major | 0 | 8B | 171 BPM | ||
| 0952 - Remastered 10th Anniversary Edition | Ólafur Arnalds | E♭ Major | 1 | 5B | 103 BPM | ||
| Requiem en ré mineur, Op. 48: "Pie Jesu" | Gabriel Fauré, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Elizabeth Geiger | B♭ Major | 1 | 6B | 95 BPM | ||
| Eisenach | Ben Lukas Boysen, Sebastian Plano | C Major | 2 | 8B | 74 BPM | ||
| Arctic Lake | Lars Meyer | D Minor | 3 | 7A | 110 BPM | ||
| Birds In Warped Time II | Somei Satoh, Anne Akiko Meyers, Li Jian | B Minor | 0 | 10A | 135 BPM | ||
| Pale Blue Dot | Roger Goula | G Minor | 2 | 6A | 94 BPM |