Riley Armstrong's 'Phone Rash' had a release date set for April 14, 2014. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riley Armstrong's "I Live Dangerous: The Music Comedy of Riley Armstrong" album is number 5 out of 16. Phone Rash is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Phone Rash by Riley Armstrong to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Cold | Fourth Son South | G Major | 6 | 9B | 96 BPM | ||
| Fender Bender Love | SplashOrays, Alissa Kay | G Major | 6 | 9B | 78 BPM | ||
| Welcome Home | Shaun Groves | E Major | 7 | 12B | 160 BPM | ||
| Good Life | Audio Adrenaline | A Major | 8 | 11B | 86 BPM | ||
| If You Sleep | Tal Bachman | E Major | 7 | 12B | 167 BPM | ||
| Walk Away | Rob Kayes | D Major | 2 | 10B | 100 BPM | ||
| 1979 | Rob Thomas | E Major | 2 | 12B | 91 BPM | ||
| Begin | Ben Lee | G Major | 5 | 9B | 124 BPM | ||
| Inner Self | Bloom Wake | G Minor | 8 | 6A | 129 BPM | ||
| Here Is The News | Brave Saint Saturn | A Minor | 8 | 8A | 153 BPM | ||
| Above Every Name | Riley Armstrong | D Major | 6 | 10B | 123 BPM | ||
| Strong Enough | Tal Bachman | G Major | 7 | 9B | 93 BPM | ||
| Man On The Run | The Jimmy Dixon Group | E♭ Major | 4 | 5B | 121 BPM | ||
| Man You Want Me To Be, The - Bring It On Album Version | Phil Joel | C Major | 7 | 8B | 110 BPM | ||
| Remember Me | K3NN | G Major | 6 | 9B | 180 BPM | ||
| King of Yesterday | Jude | F Major | 7 | 7B | 172 BPM | ||
| Author Of Life - Watching Over You Album Version | Phil Joel | G Major | 5 | 9B | 110 BPM | ||
| Sanctuary | Kevin Max | D♭ Minor | 8 | 12A | 142 BPM | ||
| Lucky To Be Here | Blessid Union Of Souls, David Kershenbaum | G Major | 7 | 9B | 154 BPM | ||
| Lody's Life | Paul Dobbe | D Major | 6 | 10B | 122 BPM | ||
| People Do | Old Man Galetti | C Major | 5 | 8B | 84 BPM | ||
| Watching the Wheels | The Samples | C Major | 8 | 8B | 165 BPM | ||
| Phone Rash | Riley Armstrong | E♭ Minor | 5 | 2A | 67 BPM | ||
| Princess | Matt Nathanson | A Major | 6 | 11B | 128 BPM | ||
| Darker Side Of Blue | Tal Bachman | E Major | 9 | 12B | 199 BPM |