"See You in Four" by Cliff Martinez had its release date on September 6, 2011. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. See You in Four's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 19 in Drive (Original Motion Picture Soundtrack) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. See You in Four is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of See You in Four by Cliff Martinez is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Digital Rain | Johnny Jewel | G Minor | 5 | 6A | 107 BPM | ||
| It Worked for Awhile / Cam and Joe | Paul Haslinger | F Major | 0 | 7B | 125 BPM | ||
| Fisk | Jed Palmer | E Minor | 0 | 9A | 76 BPM | ||
| Rejoice | West Dylan Thordson | E Major | 1 | 12B | 90 BPM | ||
| What If We Get Sick of Each Other | Cornbread Compton | D Minor | 0 | 7A | 133 BPM | ||
| Face Hugger | Jed Kurzel | B♭ Minor | 2 | 3A | 180 BPM | ||
| Standing On the Edge of a Moment | Makeup And Vanity Set | G Minor | 2 | 6A | 53 BPM | ||
| Connie | Oneohtrix Point Never | G Major | 3 | 9B | 171 BPM | ||
| An Extra Room | Jason Hill | A♭ Major | 3 | 4B | 57 BPM | ||
| So Be It | Lustmord | F Minor | 1 | 4A | 139 BPM | ||
| Forest Arrest / Search For Body | Oliver Coates | A Minor | 2 | 8A | 84 BPM | ||
| Becoming | OGRE Sound | B♭ Major | 4 | 6B | 72 BPM | ||
| The Man From The Alarm Company | Jason Hill | C Major | 1 | 8B | 127 BPM | ||
| Masking Tape | Jason Hill | F Minor | 4 | 4A | 76 BPM | ||
| Deserted Skies | S U R V I V E | D♭ Minor | 2 | 12A | 168 BPM | ||
| Child (Father) | Daniel Pemberton | D Major | 0 | 10B | 142 BPM | ||
| 1.4_3-billharper.mp3 | Mac Quayle | D♭ Major | 1 | 3B | 55 BPM | ||
| Mesa | Hans Zimmer, Benjamin Wallfisch | C Major | 2 | 8B | 84 BPM | ||
| A Young Forest Growing Up Under Your Meadows | Shane Carruth | A Major | 2 | 11B | 71 BPM | ||
| Bring It To My Turf | Jed Kurzel | D♭ Major | 4 | 3B | 120 BPM | ||
| SOUND | Abraham Marder, Nicolas Becker | D Minor | 0 | 7A | 80 BPM | ||
| Singapore Ambient (Part 2) | Michael McCann | B♭ Minor | 3 | 3A | 86 BPM | ||
| Be Funny When You Can | Bryce Dessner, Aaron Dessner | F Major | 0 | 7B | 66 BPM | ||
| Hospital Escape / Access-A-Ride | Oneohtrix Point Never | G Major | 3 | 9B | 171 BPM | ||
| It Speaks | Paul Haslinger | E Minor | 2 | 9A | 196 BPM |