Jimmy Raj, Ananth Kumar, Sablu Mukesh's ' "Payar Ki Baat" was released on its scheduled release date, March 24, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Prem Sangam". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Payar Ki Baat is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Payar Ki Baat by Jimmy Raj, Ananth Kumar, Sablu Mukesh having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anumale | Rajkumar, Puttur Narasimha Nayak, Ramesh Chandra, K.S. Surekha, Sri Raksha | F Major | 6 | 7B | 97 BPM | ||
| Ee Varusha Nanna Maduvi | Basavaraj Narendra, B. R. Chaya | D Major | 7 | 10B | 90 BPM | ||
| Mangala Roopa | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Soma Varnane | Sowmya, Surekha | A♭ Minor | 7 | 1A | 161 BPM | ||
| Maha Prabho Maha | K. J. Yesudas | B♭ Major | 6 | 6B | 171 BPM | ||
| Bajrangi Mahabali | Vikrant | F Minor | 9 | 4A | 127 BPM | ||
| Woh Rasme Todke | Roop Kumar Rathod, Sonali Rathod | G Major | 3 | 9B | 113 BPM | ||
| Gora Gora Gal Thara | Seema Mishra, Rakesh Kala | F Major | 5 | 7B | 146 BPM | ||
| Ab Jaago Maa | Anuradha Paudwal | E Major | 6 | 12B | 85 BPM | ||
| Guru Ki Mahima | Chitra Roy | C Major | 1 | 8B | 134 BPM | ||
| Phaladaayaka Yamage | Rajkumar | B Major | 4 | 1B | 100 BPM | ||
| HAR JANAM MAIN BABA TERA SATH | Mahesh Hiremath, Shubhangi Joshi | F Minor | 9 | 4A | 80 BPM | ||
| Yarige Helali | H. B. Fareet | G Major | 4 | 9B | 100 BPM | ||
| Nanda Nanda | Dr. Manikantan Menon | F Major | 5 | 7B | 126 BPM | ||
| Yeke Heege Nanna | M. V. Ananthkumar, Jimmy Raj | E Major | 8 | 12B | 110 BPM | ||
| Omkaara Roopini | Keerti Kumar Badseshi | F Major | 7 | 7B | 101 BPM | ||
| Shri Ram Chandra Kripalu Bhajman | Suresh Wadkar | A♭ Major | 6 | 4B | 154 BPM | ||
| Payar Ki Baat | Jimmy Raj, Ananth Kumar, Sablu Mukesh | G Major | 6 | 9B | 84 BPM | ||
| Gajendra Moksha (Kannada) | Daasoham | G Minor | 6 | 6A | 155 BPM | ||
| Teri Maya Ka | Narendra Singh Negi, Shashi Joshi, Meena | A♭ Minor | 6 | 1A | 148 BPM | ||
| Hey Dukh Bhanjan | Hari Om Sharan | F♯ Major | 6 | 2B | 88 BPM | ||
| Ek Baar Nihar Lo Radhe | Devi Neha Saraswat | F Minor | 5 | 4A | 136 BPM | ||
| Chellidaru Bandarava | Basavaraj Narendra | E♭ Minor | 7 | 2A | 162 BPM | ||
| Om Chanting Vakrathunda Mrutyunjaya Mantra Commentary Om Namashivaya | Swami Sukhabodhananda | B♭ Major | 3 | 6B | 130 BPM | ||
| Om Namah Shivay | Kavita Krishnamurthy | D♭ Major | 8 | 3B | 90 BPM |