- BPM
- 107
- Key
- B Minor
- Camelot
- 10A
Messiah, HWV 56 / Pt. 2: And With His Stripes We Are Healed by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis Song Details
George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis's ' "Messiah, HWV 56 / Pt. 2: And With His Stripes We Are Healed" was released on its scheduled release date, January 1, 2013. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Messiah, HWV 56 / Pt. 2: And With His Stripes We Are Healed's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "The Messiah (Platinum Edition)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Messiah, HWV 56 / Pt. 2: And With His Stripes We Are Healed is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
With Messiah, HWV 56 / Pt. 2: And With His Stripes We Are Healed by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -20.098 dB
- Acousticness
- 99%
- Danceability
- 44%
- Energy
- 15%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 67%
- Speechiness
- 3%
- Valence
- 66%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | For Unto Us A Child Is Born | London Philharmonic Orchestra | G Major | 3 | 9B | 99 BPM | |
 | Oratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | A Minor | 1 | 8A | 70 BPM | |
 | O Jesulein süss, BWV 493 | Choir of King's College, Cambridge, Stephen Cleobury | B Major | 1 | 1B | 75 BPM | |
 | Angels We Have Heard on High (GLORIA) | The Redeemer Choir Austin Texas | F Minor | 1 | 4A | 70 BPM | |
 | Missa Brevis No. 7 In B Major St. Joannis De Deo - Sanctus | Joseph Haydn, Vienna Chamber Orchestra, Orchester der Wiener Staatsoper, Hans Gillesberger | D Major | 3 | 10B | 97 BPM | |
 | The Day Thou Gavest | Choir of St Mary's Cathedral, Edinburgh | A♭ Major | 0 | 4B | 77 BPM | |
 | Christmas Oratorio, Op. 12 - Quare Fremuerunt Gentes? | Dresden Choruses | A Major | 1 | 11B | 75 BPM | |
 | Vom Himmel hoch: VI. Schlusschor "Lob, ehr sei Gott im höchsten Thron" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | C Major | 2 | 8B | 92 BPM | |
 | Der Messias, HWV 56 / Dritter Teil: 43. Arie "Ich weiß, daß mein Erlöser lebet" | George Frideric Handel, Gundula Janowitz, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram | D Major | 4 | 10B | 111 BPM | |
 | Oh di Betlemme altera povertà (Cantata pastorale per la nascita di Nostro Signore): Introduzione | Alessandro Scarlatti, Mária Zádori, Capella Savaria, Pal Nemeth | A♭ Major | 1 | 4B | 99 BPM | |
 | IX. O thou that tellest good tidings to Zion | London Philharmonic Orchestra | D Major | 3 | 10B | 139 BPM | |
 | He Trusted In God - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | C Minor | 2 | 5A | 123 BPM | |
 | Arise, Shine | John Rutter, The Cambridge Singers, Mark Williams | F♯ Major | 0 | 2B | 81 BPM | |
| Oratorio de Noël, Op. 12: Prelude (In the Style of Seb. Bach) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | G Major | 1 | 9B | 89 BPM | |
 | Bach, JS: Herz und Mund und Tat und Leben, BWV 147: Chorale. "Jesu, Joy of Man's Desiring" (Arr. Balsom for Trumpet, Choir and Organ) | Alison Balsom, Tom Etheridge, Choir of King's College, Cambridge | G Major | 2 | 9B | 73 BPM | |
 | Messiah: Part 1, For behold, darkness shall cover the earth (Accompagnato, Bass) | The Sixteen | A♭ Major | 1 | 4B | 79 BPM | |
 | Oratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | D Major | 0 | 10B | 128 BPM | |
| Messiah: Part 1, Glory to God in the highest (Chorus) | The Sixteen | D♭ Major | 1 | 3B | 108 BPM | |
 | Messiah / Part 1: "And The Glory Of The Lord" | George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 114 BPM | |
 | Messiah, HWV 56 / Pt. 2: But Thou Didst Not Leave His Soul In Hell | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Philip Langridge | A Major | 3 | 11B | 73 BPM | |
 | Judas Maccabaeus, HWV 63: Sing Unto God | George Frideric Handel, Catherine Denley, Anthony Rolfe Johnson, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 3 | 10B | 98 BPM | |
| Vom Himmel hoch: I. Chor "Vom Himmel hoch, da komm ich her" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A Minor | 2 | 8A | 83 BPM | |
 | On Jordan's bank the Baptist's cry | Anon, Salisbury Cathedral Choir, Director Simon Lole | B♭ Major | 2 | 6B | 83 BPM | |
 | Messiah / Part 2: 42. Chorus: "Hallelujah" | George Frideric Handel, Vienna Boys' Choir, Chorus Viennensis, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer | D Major | 2 | 10B | 97 BPM | |
 | Il pianto di Maria: "Giunta l'ora fatal" HWV 234: (Recitativo:) "Ahimè ch'Egli già esclama ad alta voce" | George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 96 BPM |
- ISRC
- USSP39847023
- Label
- L-M Records/RCA Records