T. Graham Brown's ' "The Last Resort" was released on its scheduled release date, 2005. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 10 in At His Best by T. Graham Brown. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Last Resort is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of The Last Resort by T. Graham Brown is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Never Stop Loving You | Gary Morris | C Major | 4 | 8B | 105 BPM | ||
| Someday Soon | Suzy Bogguss | G Major | 5 | 9B | 115 BPM | ||
| If You Could Only See Me Now | T. Graham Brown | A♭ Major | 3 | 4B | 78 BPM | ||
| She's Single Again | Janie Fricke | A Major | 5 | 11B | 118 BPM | ||
| Chains | Patty Loveless | D Major | 5 | 10B | 117 BPM | ||
| Grandpa (Tell Me 'Bout The Good Old Days) | The Judds | E Major | 2 | 12B | 202 BPM | ||
| The Closer You Get | Alabama | G Major | 4 | 9B | 114 BPM | ||
| New Looks from an Old Lover | B.J. Thomas | E Major | 6 | 12B | 118 BPM | ||
| Lonely Too Long | Patty Loveless | D♭ Major | 6 | 3B | 90 BPM | ||
| Goodnight Sweetheart | David Kersh | A Major | 4 | 11B | 155 BPM | ||
| Somebody Should Leave | Reba McEntire | D♭ Major | 2 | 3B | 99 BPM | ||
| American Made | The Oak Ridge Boys | A♭ Major | 5 | 4B | 129 BPM | ||
| I'm Already Taken | Steve Wariner | G Major | 2 | 9B | 128 BPM | ||
| Thinkin' of a Rendezvous - Single Version | Johnny Duncan | A Major | 6 | 11B | 127 BPM | ||
| That's as Close as I'll Get to Loving You | Aaron Tippin | B♭ Major | 6 | 6B | 87 BPM | ||
| Why Lady Why | Gary Morris | B♭ Major | 5 | 6B | 136 BPM | ||
| Don't Go To Strangers | T. Graham Brown | C Major | 4 | 8B | 97 BPM | ||
| Take Me Down | Alabama | D♭ Major | 3 | 3B | 130 BPM | ||
| Lie To You For Your Love | The Bellamy Brothers | G Major | 3 | 9B | 95 BPM | ||
| Where Are You Now | Clint Black | F Major | 3 | 7B | 149 BPM | ||
| Sacred Ground | McBride & The Ride | G Major | 4 | 9B | 105 BPM | ||
| The Day That She Left Tulsa (In A Chevy) | Wade Hayes | A♭ Major | 4 | 4B | 68 BPM | ||
| Chiseled In Stone | Vern Gosdin | E♭ Major | 2 | 5B | 70 BPM | ||
| Don't Take Her She's All I Got | Tracy Byrd | B♭ Major | 7 | 6B | 131 BPM | ||
| The Lady Takes the Cowboy Everytime | Larry Gatlin & The Gatlin Brothers | D Major | 6 | 10B | 147 BPM |