"Winging My Way Back Home" by Paul Cantelon had its release date on March 10, 2009. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Winging My Way Back Home's duration is considered a little bit shorter than the average duration of a typical track. This song is part of W. (Original Score) by Paul Cantelon. The song's track number on the album is #5 out of 15 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Winging My Way Back Home's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Winging My Way Back Home by Paul Cantelon has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Winging My Way Back Home being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Their First Time | Adam Taylor | C Major | 1 | 8B | 126 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| La Poema | Lili Haydn, Paul Cantelon | D Minor | 1 | 7A | 91 BPM | ||
| The Doubt | Emilio Kauderer, Federico Jusid | D Minor | 1 | 7A | 70 BPM | ||
| Dark Hooks | Konfusia Clayman, Konfusi Clayton | B Minor | 3 | 10A | 120 BPM | ||
| This is Your Eden | Peter Gregson | F Minor | 0 | 4A | 67 BPM | ||
| Mary Meets Percy | Amelia Warner | C Major | 1 | 8B | 60 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| The Promise | Debbie Wiseman | D Minor | 0 | 7A | 77 BPM | ||
| Diana | Aaron Zigman, Aaron Zigman Ensemble | G Minor | 0 | 6A | 65 BPM | ||
| These Pages Must Show (End Credits) | Christopher Willis | A Minor | 4 | 8A | 133 BPM | ||
| Prologue | Paul Cantelon | E♭ Major | 1 | 5B | 111 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| Sin Anuncios | Ambientes Misticos | E♭ Major | 1 | 5B | 124 BPM | ||
| Longing for Tatiana (from "Onegin") | Georgiy Zheryakov, Baltic Symphony Orchestra | A Minor | 2 | 8A | 82 BPM | ||
| The Lost Waltz | Paul Cantelon, Lili Haydn | C Minor | 1 | 5A | 136 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| The Paintings | Paul Cantelon | G Minor | 2 | 6A | 142 BPM | ||
| Theme from Mansfield Park | James Shearman, Nick Ingman | D Major | 2 | 10B | 156 BPM | ||
| Mary In Labor | Paul Cantelon | D Minor | 1 | 7A | 120 BPM | ||
| The Wife | Jocelyn Pook | C Minor | 1 | 5A | 97 BPM | ||
| Prelude | Alexandra Harwood | E Major | 1 | 12B | 114 BPM | ||
| Across The Sea | Alexandra Harwood | C Major | 3 | 8B | 119 BPM | ||
| Sin Preguntas No Hay Respuestas | Ambientes Misticos | E Minor | 1 | 9A | 120 BPM |