On October 23, 2009, the song "Warning" was released by Chris Murray. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Yard Sale by Chris Murray. The song's track number on the album is #8 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Warning is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Warning by Chris Murray has a tempo of 162 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Warning being at 162 BPM, the half-time would be 81 BPM with a double-time of 324 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: 2. Adagio | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | E♭ Major | 1 | 5B | 85 BPM | ||
| Má Vlast, JB1:112: 2. Vltava | Bedřich Smetana, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 1 | 12B | 79 BPM | ||
| Tchaikovsky : String Quartet No.1 in D major, Op.11 : II Andante cantabile | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantin Orbelian, Moscow Chamber Orchestra | B Major | 1 | 1B | 94 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 5, Andante tranquillo "The Lady and the Dragon" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 84 BPM | ||
| String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Heath Quartet | A Minor | 1 | 8A | 82 BPM | ||
| Horn Trio in E-Flat Major, Op. 40: I. Andante – Poco più animato | Johannes Brahms, Barry Tuckwell, Itzhak Perlman, Vladimir Ashkenazy | F Minor | 1 | 4A | 134 BPM | ||
| Rhapsody In Blue | George Gershwin, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd | A Major | 2 | 11B | 74 BPM | ||
| Brahms: String Quartet No. 1 in C Minor, Op. 51 No. 1: II. Romanze (Poco adagio) | Johannes Brahms, Quatuor Ébène | A♭ Major | 0 | 4B | 78 BPM | ||
| Moment | Western Standard Time Ska Orchestra, Chris Murray | F Minor | 6 | 4A | 136 BPM | ||
| String Quartet No. 12 in F Major, "American", Op. 96: III. Molto Vivace | Antonín Dvořák, Chilingirian Quartet | F Major | 1 | 7B | 109 BPM | ||
| Another Heart Whispers Back | Rael Jones, Budapest Art Orchestra, Chris Cowie, Anna Wolstenholme, Camilla Pay, Nello Greco, Sara Wolstenholme, Jonathan Stone, Gary Pomeroy, Chris Murray | C Minor | 5 | 5A | 142 BPM | ||
| Sonata for 2 pianos in D, K.448: 1. Allegro con spirito | Wolfgang Amadeus Mozart, Ingrid Haebler, Ludwig Hoffmann | A Major | 2 | 11B | 132 BPM | ||
| Le nozze di Figaro, K. 492 / Act 3: "Sull’aria ... Che soave zeffiretto" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | G Major | 2 | 9B | 81 BPM | ||
| Let It Go | Chris Murray | A♭ Major | 2 | 4B | 135 BPM | ||
| Dvořák: Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 1 | 9B | 106 BPM | ||
| Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Minor | 2 | 6A | 136 BPM | ||
| Vivaldi: Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Il Giardino Armonico, Duilio Galfetti, Giovanni Antonini | B Major | 3 | 1B | 100 BPM | ||
| Symphony No. 1, "Afro-american": Ii. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony | F Major | 0 | 7B | 55 BPM | ||
| Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
| Nocturne No. 5 in F-Sharp Minor, Op. 15 No. 2 | Frédéric Chopin, Daniel Barenboim | F♯ Major | 0 | 2B | 127 BPM | ||
| Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM |