- BPM
- 101
- Key
- C Major
- Camelot
- 8B
Twisted Blues with Twisted Ballad: I. Twisted Blues (Variants on "Dazed and Confused" by Led Zeppelin) by Mark-Anthony Turnage, Jimmy Page, Piatti Quartet Song Details
"Twisted Blues with Twisted Ballad: I. Twisted Blues (Variants on "Dazed and Confused" by Led Zeppelin)" by Mark-Anthony Turnage, Jimmy Page, Piatti Quartet had its release date on September 28, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 14 in Albion Refracted by Piatti Quartet. In terms of popularity, Twisted Blues with Twisted Ballad: I. Twisted Blues (Variants on "Dazed and Confused" by Led Zeppelin) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Twisted Blues with Twisted Ballad: I. Twisted Blues (Variants on "Dazed and Confused" by Led Zeppelin) by Mark-Anthony Turnage, Jimmy Page, Piatti Quartet is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.065 dB
- Acousticness
- 93%
- Danceability
- 33%
- Energy
- 18%
- Instrumentalness
- 50%
- Liveness
- 4%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 19%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | |
 | Scorched - based on Tunes by John Scofield: Away with Words | John Scofield, Mark-Anthony Turnage, John Patitucci, Peter Erskine, Frankfurt Radio Symphony Orchestra, hr-Bigband, Hugh Wolff | C Major | 1 | 8B | 152 BPM | |
 | Dances: No. 1, Darkness (Cadenza). Under the Cajun Moon | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | A♭ Major | 1 | 4B | 68 BPM | |
 | ONYX30: IV. Blues | Mark-Anthony Turnage, Onyx Brass | D Minor | 0 | 7A | 70 BPM | |
 | Concerto for Soprano Saxophone and Wind Ensemble: I. Prelude | Timothy McAllister, ASU Wind Ensemble | G Minor | 5 | 6A | 102 BPM | |
 | Greek - Act 2: Scene 4a (Eddy's Return) | Mark-Anthony Turnage, Helen Charnock, Fiona Kimm, Richard Suart, Quentin Hayes, The Greek Ensemble, Richard Bernas | D♭ Major | 1 | 3B | 170 BPM | |
 | Troisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | A♭ Major | 1 | 4B | 68 BPM | |
 | Five Pieces for String Quartet, WV 68: No. 2, Alla Serenata | Erwin Schulhoff, Leonkoro Quartet | A♭ Major | 1 | 4B | 68 BPM | |
 | Blood on the Floor: Crackdown | Mark-Anthony Turnage, Martin Robertson, John Scofield, Peter Erskine, Ensemble Modern, Peter Rundel | D♭ Minor | 1 | 12A | 96 BPM | |
 | Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM | |
 | Seven Nuggets: VII. Lapis, with Gold Crystals | Peter Scott Lewis, Blair McMillen | G Major | 1 | 9B | 93 BPM | |
 | Serenata from "Pulcinella" | Igor Stravinsky, Branford Marsalis, Andrew Litton, English Chamber Orchestra | D Minor | 6 | 7A | 123 BPM | |
 | Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | |
 | On Opened Ground: I. Cadenza and Scherzino | Mark-Anthony Turnage, Markus Stenz, Lawrence Power, London Philharmonic Orchestra | C Major | 2 | 8B | 88 BPM | |
 | Le marteau sans maître: Commentaire I de "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 1 | 4A | 87 BPM | |
 | Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | |
 | Infinite Echoes | Astrid Voix | A♭ Major | 1 | 4B | 68 BPM | |
 | Improvisation et caprice: I. Improvisation | Eugène Bozza, Jean-Pierre Baraglioli | C Major | 1 | 8B | 127 BPM | |
 | Sonatina for Horn and Piano Op.56 - II. Minuet: Andantino | Ben Goldscheider, Huw Watkins | A Major | 1 | 11B | 112 BPM | |
 | Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | |
 | Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | |
 | The Four Moons: VII. The Cherokee Variation. Yvonne Chouteau | Louis W. Ballard, Louis Wayne Ballard, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 170 BPM | |
 | Particles Waves | Benjamin Woodgates, Calum Huggan, Angela Wai Nok Hui | A♭ Major | 1 | 4B | 68 BPM | |
 | Une étoile pour danser | Jean-Pierre Como, Javier Girotto | A♭ Major | 1 | 4B | 68 BPM | |
 | Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records