"Total Agony" by Craig Armstrong had its release date on 2003. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Craig Armstrong's "Love Actually (Original Motion Picture Score)" album is number 9 out of 33. On top of that, United States appears to be the country where this track was created. In terms of popularity, Total Agony is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Total Agony by Craig Armstrong to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sam's Bedroom | Craig Armstrong | E♭ Minor | 1 | 2A | 180 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| Of the undiscovered country - From The Original Motion Picture "Hamnet" | Max Richter, Hugh Brunt | B♭ Major | 2 | 6B | 59 BPM | ||
| To Olivia | Debbie Wiseman | A Minor | 1 | 8A | 71 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| Deep Breaths | Austin Farwell | F♯ Minor | 7 | 11A | 90 BPM | ||
| Blue Morgan (End Credits) - From "Million Dollar Baby" | Clint Eastwood | C Major | 0 | 8B | 72 BPM | ||
| Main Titles | Alex Heffes | D Minor | 1 | 7A | 110 BPM | ||
| Loved Ones and Leaving | Nicholas Hooper | D Major | 1 | 10B | 90 BPM | ||
| Lunch Hour | Craig Armstrong | C Major | 2 | 8B | 140 BPM | ||
| Temptation | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Keep Looking Up | Mark McKenzie | F Major | 0 | 7B | 64 BPM | ||
| I Have Been Here Before | Alex Heffes | A Minor | 2 | 8A | 79 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| Saving Sarah Cain - Main Titles | Mark McKenzie | D Major | 2 | 10B | 165 BPM | ||
| PM's Love Theme | Craig Armstrong | C Major | 4 | 8B | 81 BPM | ||
| Creditos Finales | Ivan Palomares | B Major | 2 | 1B | 87 BPM | ||
| Rosie Dunne, Can I Take You to the Dance ? | Ralf Wengenmayr | G Major | 2 | 9B | 79 BPM | ||
| The Deer | William Ross | B Minor | 2 | 10A | 92 BPM | ||
| First Day at Trinity | Stephen Rennicks | D Major | 1 | 10B | 110 BPM | ||
| Jamie Leaves Aurelia | Craig Armstrong | C Major | 1 | 8B | 142 BPM | ||
| Emily's Chemo | Mark McKenzie | B♭ Major | 0 | 6B | 70 BPM | ||
| Building A Family | Mark Isham | A Major | 1 | 11B | 124 BPM | ||
| Dreams Come True | Randy Edelman | A♭ Major | 2 | 4B | 132 BPM | ||
| Gumption | Hans Zimmer | C Major | 1 | 8B | 118 BPM |