Carl Maria von Weber, Rudolph Ganz, Peter Phillips's 'Sonata No. 1, Op. 24. IV. Perpetual Motion (Rondo) - Duo-Art 6489' had a release date set for September 9, 2025. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in "Perpetual Motion": Piano Music from the Golden Age, so we believe that "Sonata No. 1, Op. 24. IV. Perpetual Motion (Rondo) - Duo-Art 6489" is a single. Sonata No. 1, Op. 24. IV. Perpetual Motion (Rondo) - Duo-Art 6489 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 1, Op. 24. IV. Perpetual Motion (Rondo) - Duo-Art 6489 by Carl Maria von Weber, Rudolph Ganz, Peter Phillips is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": I. Theme. Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 71 BPM | ||
| Hummel: Trumpet Concerto In E Flat - Ii Andante | Johann Nepomuk Hummel, Tine Thing Helseth | A♭ Major | 1 | 4B | 92 BPM | ||
| String Quartet in F Major, Hob.III:17: II. Andante Cantabile | Roman Hoffstetter, Quatuor Modigliani | C Major | 0 | 8B | 77 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
| Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 60 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| La cambiale di matrimonio: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 140 BPM | ||
| Fidelio, Op. 72, Act I: March | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | ||
| Das listige Bauernmädchen: Ouvertura. Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | C Major | 2 | 8B | 129 BPM | ||
| Piano Concerto in A Minor, Op. 7: I. Allegro maestoso | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A Minor | 1 | 8A | 112 BPM | ||
| Violin Concerto No. 5 in A Major, K. 219 "Turkish": 1. Allegro aperto | Wolfgang Amadeus Mozart, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | A Major | 1 | 11B | 126 BPM | ||
| Passacaglia & Fugue in C Minor, BWV 582 (Arr. for Orchestra by Sir Andrew Davis): I. Passacaglia | Johann Sebastian Bach, BBC Philharmonic, Sir Andrew Davis | E♭ Major | 0 | 5B | 73 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| Il Turco in Italia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 98 BPM | ||
| Die drei Pintos, J. Anh. 5, Act I: Seguidilla a dos - Wir, die den Musen dienen (Completed G. Mahler) | Carl Maria von Weber, Sinéad Campbell, Peter Furlong, Robert Holzer, Ales Jenis, Stewart Kempster, Sophie Marilley, Lubomir Matl, Eric Shaw, Alessandro Svab, Barbara Zechmeister, Wexford Festival Opera Chorus, Belarussian National Philharmonic Orchestra, Paolo Arrivabeni | C Major | 1 | 8B | 92 BPM | ||
| Piano Trio in D Minor, Op. 11: III. Lied. Allegretto | Fanny Mendelssohn, Trio Chausson | D Major | 1 | 10B | 79 BPM | ||
| Concerto for Flute and Harp in C Major, K. 299: III. Allegro | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | C Major | 1 | 8B | 88 BPM | ||
| Die drei Pintos, J. Anh. 5, Act II: Ariette - Hochste Lust ist treues Lieben (Completed G. Mahler) | Carl Maria von Weber, Sinéad Campbell, Peter Furlong, Robert Holzer, Ales Jenis, Stewart Kempster, Sophie Marilley, Lubomir Matl, Eric Shaw, Alessandro Svab, Barbara Zechmeister, Wexford Festival Opera Chorus, Belarussian National Philharmonic Orchestra, | D Major | 0 | 10B | 132 BPM | ||
| Pulcinella Suite: I. Sinfonia | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | G Major | 0 | 9B | 91 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Furies | Christoph Willibald Gluck, Daniel Hope, Zurich Chamber Orchestra | D Minor | 4 | 7A | 153 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 3 in F Major. Allegretto (Orch. Brahms) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
| Schumann: Symphony No. 3 in E-Flat Major, Op. 97, Rhenish: IV. Feierlich | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | E♭ Minor | 1 | 2A | 62 BPM | ||
| Das listige Bauernmädchen: No. 12, — | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 1 | 11B | 86 BPM |