"I Vow To Thee My Country" by Gustav Holst, Cecil Spring-Rice, Libera, Michael Horncastle, Edward Day, Joshua Madine, Fiona Pears, John Anderson, Steven Geraghty, Chris Dodd, Robert Prizeman, Ian Tilley had its release date on January 1, 2008. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Prayer: You Were There". In this album, this song's track order is #11. In terms of popularity, I Vow To Thee My Country is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I Vow To Thee My Country by Gustav Holst, Cecil Spring-Rice, Libera, Michael Horncastle, Edward Day, Joshua Madine, Fiona Pears, John Anderson, Steven Geraghty, Chris Dodd, Robert Prizeman, Ian Tilley having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| First Choral Symphony, Op. 41, H. 155, I, Song and Bacchanal: II - IV. Whence came ye, merry Damsels! whence came ye! (Chorus) - W | Gustav Holst, Andrew Davis, BBC Symphony Orchestra, Susan Gritton, BBC Symphony Chorus, Sir Andrew Davis | C Major | 1 | 8B | 93 BPM | ||
| Saint-Saens, Organ Symphony, Finale | Philharmonia La Seine | F Major | 4 | 7B | 150 BPM | ||
| Serenade For Strings, Op.11 | Dag Wirén, Johannes Somary, English Chamber Orchestra | G Major | 3 | 9B | 135 BPM | ||
| Sibelius: Symphony No. 2 in D Major, Op. 43: III. Vivacissimo | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | F♯ Major | 2 | 2B | 76 BPM | ||
| Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
| Pavane pour une infante défunte, M. 19 (Orchestral Version) | Maurice Ravel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 0 | 9B | 142 BPM | ||
| First Suite in E-Flat Major, Op. 28 No. 1, H. 105: I. Chaconne | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 0 | 5B | 87 BPM | ||
| First Choral Symphony, Op. 41, H. 155, IV, Finale: III & IV. Then, through thy Temple wide (Soprano) - Tis awful silence then agai | Gustav Holst, Andrew Davis, BBC Symphony Orchestra, Susan Gritton, BBC Symphony Chorus, Sir Andrew Davis | C Major | 0 | 8B | 75 BPM | ||
| Enigma Variations, Op. 36: Var. 8. Allegretto "W.N." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 84 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | ||
| Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
| Lohengrin, WWV 75: Prelude to Act III - Remastered 2024 | Richard Wagner, St. Louis Symphony, Jerzy Semkow | G Major | 2 | 9B | 124 BPM | ||
| Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: III. Presto. Molto allegro e vivace | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | G Major | 2 | 9B | 91 BPM | ||
| Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A♭ Major | 0 | 4B | 132 BPM | ||
| English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM | ||
| The Planets, Op. 32: II. Venus, The Bringer Of Peace | Gustav Holst, James Judd, Royal Philharmonic Orchestra | B♭ Minor | 0 | 3A | 65 BPM | ||
| Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
| Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
| Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
| Gli uccelli (The Birds), P. 154: V. Il cucu. Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 181 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM |