T. S. Aswini Sastry, T. S. Rohini Sastry's 'Saneeswara Moolamanthram' had a release date set for November 1, 2010. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Saneeswara Moolamanthram's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Navagraha Sthothras". In this album, this song's track order is #54. Furthermore, we believe that the track originated from India. Saneeswara Moolamanthram is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Saneeswara Moolamanthram by T. S. Aswini Sastry, T. S. Rohini Sastry having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poorva Nayasam | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 127 BPM | ||
| Suryanarayana Suprabhatam | Sridevi | F Minor | 8 | 4A | 175 BPM | ||
| Shree Gurudev Datta Mantra Jaap | Abhimanyu Karlekar, Shrinivas G. Kulkarni, Madhusudan G. Kulkarni | F Major | 0 | 7B | 94 BPM | ||
| Adhyayam, Pt. 4 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 85 BPM | ||
| Adhyayam, Pt. 12 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 112 BPM | ||
| Laxmi Narasimha Stotram | Abhijeet Ghoshal | B Major | 4 | 1B | 100 BPM | ||
| Panchayudha Stotram | Bhandhavi | E Minor | 5 | 9A | 151 BPM | ||
| Raam Raksha | Rajendra Vaishampayan & Natasha Dias | G Minor | 4 | 6A | 100 BPM | ||
| Maha Mrutyunjaya Stotram | Malola Kannan, J Bhakthavatsalam | C Major | 4 | 8B | 174 BPM | ||
| Sringeri Sri Sharadashtotthara Shathanama Stotram | K.S. Surekha | C Major | 3 | 8B | 142 BPM | ||
| Mangalam | T. S. Aswini Sastry | C Major | 6 | 8B | 84 BPM | ||
| Sri Batuka Bhairava Kavacham | Bhandhavi | A♭ Major | 3 | 4B | 92 BPM | ||
| Adithya Hridhaya Stothram | T. S. Aswini Sastry, T. S. Rohini Sastry | G Major | 3 | 9B | 81 BPM | ||
| Chandra Kavacha Sthosthram | Banglore Sisters | B Minor | 4 | 10A | 78 BPM | ||
| Mrit sanjivan kavcham | kartik ojha | B♭ Major | 5 | 6B | 103 BPM | ||
| Shani Stotram | Sri Ganapathy Sachchidananda Swamiji | A Minor | 2 | 8A | 128 BPM | ||
| Bhagavad Gita, Chapter 12 | Swami Paramarthananda | G Major | 4 | 9B | 149 BPM | ||
| Rudri Path- Adhyay 1 | Divya Jyoti Jagrati Sansthan | A♭ Major | 4 | 4B | 126 BPM | ||
| Saneeswara Graha Ashtothra Namavali | T. S. Aswini Sastry, T. S. Rohini Sastry, Barathwaja Sastry, Sankara Sastry | G Major | 3 | 9B | 85 BPM | ||
| Mahaalakshmi Ashtakam | M. S. Sheela | A Major | 4 | 11B | 135 BPM | ||
| Sundara Kandam | Vidyabhushana | D♭ Major | 5 | 3B | 125 BPM | ||
| Lakshmi Narasimha Ashtakam | Shankara Sastry | A Major | 3 | 11B | 169 BPM | ||
| Sri Subramania Karavalambam | T. S. Aswini Sastry | C Major | 6 | 8B | 84 BPM | ||
| Om Sai Namo Namah | Pramod Kishan | D Major | 6 | 10B | 148 BPM | ||
| Sri Yantrodhara Hanumata Stotra | Puttur Narasimha Nayak, Harsha Rao, Sri Mukund | C Major | 6 | 8B | 72 BPM |