Mikhail Glinka, Charles Mathews's ' "La Fille Mal Gardée, Act I: Colas (Sissones)" was released on its scheduled release date, April 24, 2014. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charles Mathews's "Music for Ballet Class - Volume 4" album is number 28 out of 39. On top of that, United States appears to be the country where this track was created. In terms of popularity, La Fille Mal Gardée, Act I: Colas (Sissones) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of La Fille Mal Gardée, Act I: Colas (Sissones) by Mikhail Glinka, Charles Mathews to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 8 Nocturnes, Op. 368: No. 2, Andantino animato | Carl Czerny, Roberte Mamou | E♭ Major | 0 | 5B | 169 BPM | ||
| I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM | ||
| Piano Concerto No. 2 In F Minor, Op. 21: 3. Allegro vivace | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | B♭ Minor | 2 | 3A | 107 BPM | ||
| 8 Etudes, Op. 42: No. 5 in C-Sharp Minor. Affannato | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
| Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| 10 Preludes, Op. 23: No. 5. Alla marcia in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 2 | 6A | 106 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 81 BPM | ||
| 4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM | ||
| Nocture 'La Separation in F Minor | Mikhail Glinka, Ансамбль солистов Московской Государственной филармонии "Концертино", Victor Kozodov, Victor Ponomarev, Yaroslav Krasnikov, Sofya Krasnikova, Pavel Sablin | C Major | 4 | 8B | 142 BPM | ||
| Rachmaninov: 6 Moments musicaux, Op. 16: No. 5 in D-Flat Major | Sergei Rachmaninoff, Nikolai Lugansky | A♭ Major | 1 | 4B | 63 BPM | ||
| Ruslan and Lyudmila / Act 1: "Dela davno minuvsikh" | Mikhail Glinka, Mikhail Kit, Anna Netrebko, Vladimir Ognovienko, Larissa Diadkova, Gennadi Bezzubenkov, Yuri Marusin, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 83 BPM | ||
| Huit Nocturnes, Op. 368: No. 3 in A-Flat Major | Carl Czerny, Isabelle Oehmichen | A♭ Major | 0 | 4B | 63 BPM | ||
| Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
| Notturno | Ottorino Respighi, Polina Osetinskaya | F♯ Major | 0 | 2B | 139 BPM | ||
| Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
| Valse, FP 53 | Francis Poulenc, Dario Müller | C Major | 2 | 8B | 102 BPM | ||
| Intermezzo in B-Flat Minor, Op. 117/2 | Johannes Brahms, Khatia Buniatishvili | D♭ Major | 0 | 3B | 67 BPM | ||
| Saint-Saëns: 6 Études, Op. 111: No. 4, Les cloches de Las Palmas | Camille Saint-Saëns, Bertrand Chamayou | D♭ Minor | 1 | 12A | 133 BPM | ||
| Bocetos Rítmicos - Remasterizado | Luis Cobos, Mikhail Glinka, Mikhail Ippolitov-Ivanov, Nikolai Rimsky-Korsakov, Pyotr Ilyich Tchaikovsky, Moscow RTV Symphony Orchestra | A Major | 6 | 11B | 132 BPM | ||
| Schumann: Romance No. 2 in F-Sharp Major, Op. 28 | Robert Schumann, Catherine Collard | F♯ Major | 0 | 2B | 128 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: IV. Passacaglia (Roncalli) | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 3 | 6A | 116 BPM | ||
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Karine Poghosyan | E Minor | 1 | 9A | 92 BPM | ||
| Idylle, Op. 94 No. 3 | Moritz Moszkowski, Sofja Gülbadamova | C Minor | 2 | 5A | 98 BPM |