"L'ile enchantee: No. 3 Galop" by Arthur Sullivan, RTE Concert Orchestra, Andrew Penny had its release date on October 7, 1992. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. L'ile enchantee: No. 3 Galop's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Sullivan: Ile Enchantee (L') / Thespis". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, L'ile enchantee: No. 3 Galop is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'ile enchantee: No. 3 Galop by Arthur Sullivan, RTE Concert Orchestra, Andrew Penny having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trionfo di Afrodite - Concerto scenico: VI. Song of the married couple in the wedding chamber | Carl Orff, Dagmar Schellenberger, Lothar Odinius, Lisa Larson, Eva Maria Nobäuer, Barbara Reiter, Robert Swenson, Franz Welser-Moest, Franz Welser-Möst, Muenchner Rundfunkorchester, Das Münchner Rundfunkorchester | B♭ Minor | 0 | 3A | 180 BPM | ||
| Bellini: I puritani, Act 1, Scene 1: A festa! (Coro) | Vincenzo Bellini, Riccardo Muti, Philharmonia Orchestra | B♭ Major | 3 | 6B | 88 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Pheasants' Chorus (I Pagliacci) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | C Major | 1 | 8B | 117 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Carmen, Act IV, No.27 Duo et Choeur final: C'est toi! / C'est moi! (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | A♭ Major | 2 | 4B | 81 BPM | ||
| Trial by Jury: Finale. Oh, Joy Unbounded | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Pamela Helen Stephens, Donald Adams, Barry Banks, Richard Stuart, Peter Savidge, Rebecca Evans, Gareth-Rhys Davies | D Major | 2 | 10B | 70 BPM | ||
| Sighing Softly to the River | The Pirates Of Penzance | F Major | 2 | 7B | 125 BPM | ||
| Linden Lea | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | F Major | 0 | 7B | 86 BPM | ||
| H.M.S. Pinafore / Act 2: Kind Captain, I've important information | Arthur Sullivan, The D'Oyly Carte Opera Company, Donald Adams, Jeffrey Skitch, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 2 | 4B | 97 BPM | ||
| Il barbiere di Siviglia, Act II: No. 14, Aria. Il vecchiotto cerca moglie | Gioachino Rossini, Gabriele Sima, Chamber Orchestra of Europe, Claudio Abbado | F Major | 1 | 7B | 128 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "Hear ye, Israel" - "Thus saith the Lord" - "I am He that comforteth" | Felix Mendelssohn, Renée Fleming, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B♭ Major | 0 | 6B | 120 BPM | ||
| H.M.S. Pinafore / Act 2: Farewell, my own | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 89 BPM | ||
| The Mikado: Act One: Song: "Gentlemen?A wand'ring minstrel" | Ohio Light Opera | F Major | 1 | 7B | 165 BPM | ||
| Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa | Gioachino Rossini, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov, Stefania Malagu, Ugo Benelli, Manuel Ausensi, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 5 | 8B | 107 BPM | ||
| Sullivan: The Mikado or The Town of Titipu, Act 1: No. 8, Quintett, "So please you, sir, we much regret" (Yum-Yum, Peep-bo, Pitti-Sing, Pooh-Bah, Pish-Tush, Girls) | Arthur Sullivan, Elsie Morison/Jeannette Sinclair/Marjorie Thomas/Ian Wallace/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 3 | 9B | 113 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Auf, wach auf, mein Jüngelchen" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 1 | 5B | 96 BPM | ||
| Messa di Gloria for tenor, baritone, chorus & orchestra (op. posthuma), Gloria: Qui tollis peccata mundi | Giacomo Puccini, Michel Corboz, Orquestra Gulbenkian, Coro Gulbenkian | G Major | 1 | 9B | 103 BPM | ||
| Das Lied von der Erde: III. Von der Jugend. Behaglich, heiter | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | E Major | 4 | 12B | 79 BPM | ||
| Già il sole dal Gange | Alessandro Scarlatti, Ramón Vargas | A Major | 2 | 11B | 75 BPM | ||
| Gianni Schicchi: "Ai miei cugioni Zita e Simone" | Giacomo Puccini, Ewa Podles, Enrico Fissore, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Major | 0 | 8B | 97 BPM | ||
| Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
| Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) | Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle Berlin | F Major | 1 | 7B | 81 BPM | ||
| Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo | Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | D♭ Major | 0 | 3B | 141 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.2: Dispossessed, aside thrust | Edward Elgar, Hallé, Sir Mark Elder | C Minor | 2 | 5A | 116 BPM |