"Improvisation No. 5" by Jim Hall, Pat Metheny had its release date on April 27, 1999. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Improvisation No. 5's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pat Metheny, Jim Hall's "Jim Hall & Pat Metheny" album is number 16 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, Improvisation No. 5 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Improvisation No. 5 by Jim Hall, Pat Metheny to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In a Different Way | Lyle Brewer | B♭ Major | 2 | 6B | 87 BPM | ||
| Improvisation No. 5 | Jim Hall, Pat Metheny | E Minor | 1 | 9A | 109 BPM | ||
| The Magic Farmer | Michael Hedges | C Major | 0 | 8B | 154 BPM | ||
| And So It Goes | Russell Malone | C Major | 0 | 8B | 104 BPM | ||
| Paul Motian (1) | Anat Fort Trio | G Major | 1 | 9B | 81 BPM | ||
| Trio Conversation (Introduction) | Marcin Wasilewski, Slawomir Kurkiewicz, Michal Miskiewicz | B♭ Major | 0 | 6B | 59 BPM | ||
| Southern Exposure | Alex de Grassi | E Minor | 1 | 9A | 111 BPM | ||
| Gnossienne No. 5 | Jacques Loussier Trio | C Major | 1 | 8B | 110 BPM | ||
| Wallow Oud | DEVIN B | C Minor | 5 | 5A | 137 BPM | ||
| In Agnes Eyes | Thomas Darelid | F Major | 2 | 7B | 112 BPM | ||
| Ballad For Anna | Chick Corea | E Major | 1 | 12B | 133 BPM | ||
| Slow Hot Wind | Pat Metheny | E♭ Minor | 1 | 2A | 166 BPM | ||
| Petit Modave | Quentin Dujardin | G Major | 2 | 9B | 140 BPM | ||
| Romance | Dino Saluzzi | D Minor | 0 | 7A | 72 BPM | ||
| Ecnamor | Steve Dobrogosz, Petur Östlund | B♭ Minor | 1 | 3A | 156 BPM | ||
| Falling Grace | Jim Hall, Pat Metheny | G Minor | 1 | 6A | 66 BPM | ||
| Baden | Dominic Miller | G Minor | 1 | 6A | 88 BPM | ||
| We Are All Alone | Lyle Mays | C Major | 0 | 8B | 139 BPM | ||
| Almost April | Michael Manring | G Major | 4 | 9B | 112 BPM | ||
| Blue As In Bley | Ralph Towner | E Minor | 2 | 9A | 140 BPM | ||
| One Way To Be | John Scofield, Pat Metheny | E♭ Major | 4 | 5B | 116 BPM | ||
| So Sweet | Christian Houmann | G Major | 0 | 9B | 86 BPM | ||
| Moonlit Swim in Pantanal | Lakki Patey, Pedro Rosa | D♭ Minor | 1 | 12A | 89 BPM | ||
| Things Ain't What They Used To Be | Jim Hall | F♯ Major | 0 | 2B | 91 BPM | ||
| Fragile | Antonio Forcione | F♯ Minor | 1 | 11A | 81 BPM |