"Peter and the Wolf, Op. 67: I. Musical March "Each character in this tale..."" by Sergei Prokofiev, Kent Nagano, Orchestre de l'Opéra de Lyon had its release date on March 9, 2018. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Prokofiev Peter And The Wolf". In this album, this song's track order is #1. In terms of popularity, Peter and the Wolf, Op. 67: I. Musical March "Each character in this tale..." is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Peter and the Wolf, Op. 67: I. Musical March "Each character in this tale..." by Sergei Prokofiev, Kent Nagano, Orchestre de l'Opéra de Lyon having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carnival of the Animals, R. 125: V. The Elephant | Camille Saint-Saëns, Marylene Dosse, Annie Petit, Jörg Faerber | E♭ Major | 0 | 5B | 57 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| Khachaturian: Suite No. 1 from Spartacus: III. Variation of Aegina - Bacchanalia | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E♭ Minor | 2 | 2A | 129 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| Mathis der Maler Symphony: II. Grablegung | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | A♭ Minor | 0 | 1A | 87 BPM | ||
| Peter en de Wolf: Daar zijn de jagers | Sergei Prokofiev, Frank Groothof, Othmar Maga, Het Residentie Orkest | A♭ Major | 0 | 4B | 123 BPM | ||
| The Carnival of the Animals: 11. Pianists | Camille Saint-Saëns, Anna Goldsworthy, Mark Kruger, David Stanhope, Adelaide Symphony Orchestra | C Minor | 2 | 5A | 92 BPM | ||
| Poulenc: Dialogues des Carmélites, FP 159, Act 1: "Les soldats surviennent à temps" (Le Marquis, Le Chevalier) | Francis Poulenc, José van Dam, Kent Nagano, Orchestre De L'Opéra National De Lyon | C Major | 0 | 8B | 98 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| Henk De Mol - Live | Herman van Veen | A♭ Major | 2 | 4B | 98 BPM | ||
| Ballet Suite No. 3 (arr. L. Atovmyan): Elegy (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 87 BPM | ||
| Digital Aurora | Lumi Risto | C Minor | 8 | 5A | 112 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | C Minor | 1 | 5A | 177 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
| La poesía nos salvará | Classical Laguna Experience Orchestra, Gabriela Ortiz, Carmen Acosta, Ludwig Carrasco, Javier Santos | C Major | 2 | 8B | 80 BPM | ||
| 4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| The Carnival of the Animals: 5. The Elephant | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | C Major | 3 | 8B | 95 BPM | ||
| Stravinsky: Fireworks, Op. 4 | Igor Stravinsky, Melbourne Symphony Orchestra, Hiroyuki Iwaki | E Major | 2 | 12B | 62 BPM | ||
| Poulenc: Le bestiaire, ou le cortège d’Orphée, FP 15: No. 6, La carpe (Chamber Version) | Francis Poulenc, Georges Prêtre, Maryse Charpentier, Orchestre De La Société Des Concerts Du Conservatoire | D♭ Major | 0 | 3B | 141 BPM | ||
| Pelléas et Mélisande, L.88 / Act 3: Interlude | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 78 BPM | ||
| Première rhapsodie, L. 116: Première rhapsodie, CD 124b | Claude Debussy, Franklin Cohen, The Cleveland Orchestra, Pierre Boulez | E♭ Minor | 0 | 2A | 109 BPM | ||
| Hungarian Sketches, Sz. 97: IV. Slightly Tipsy | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 1 | 4B | 55 BPM | ||
| Mussorgsky: Pictures at an Exhibition: No. 14, The Hut on Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 87 BPM | ||
| Peter and the Wolf, Op. 67: XI. Peter Catches the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 92 BPM |