Ohio Light Opera's 'The Mikado: Act Two: Dialogue: "All this is very interesting"' had a release date set for November 1, 2008. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There are a total of 37 in the song's album "The Mikado". In this album, this song's track order is #10. In terms of popularity, The Mikado: Act Two: Dialogue: "All this is very interesting" is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With The Mikado: Act Two: Dialogue: "All this is very interesting" by Ohio Light Opera having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Porter: Kiss Me, Kate, Act 2: "So in Love" (Fred) | Cole Porter, John McGlinn, Thomas Hampson, London Sinfonietta | G Major | 2 | 9B | 74 BPM | ||
| Le nozze di Figaro, K.492 / Act 3: Amanti costanti, seguaci d'onor | Wolfgang Amadeus Mozart, Joyce Guyer, Stella Zambalis, Thomas Hampson, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus, John Keenan | C Major | 1 | 8B | 88 BPM | ||
| The Bold Gendarmes | Josef Locke | F Major | 2 | 7B | 120 BPM | ||
| Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram | Carl Orff, Sir Simon Rattle, Lawrence Brownlee, Rundfunkchor Berlin, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
| Aquí no hay nadie (extracto) | Classical Laguna Experience Orchestra, Gabriela Ortiz, Carmen Acosta, Ludwig Carrasco | C Major | 2 | 8B | 80 BPM | ||
| Puccini: Tosca, Act 2: "Vissi d'arte" | Giacomo Puccini, Angela Gheorghiu, Emmanuel Villaume, PKF-Prague Philharmonia | E♭ Major | 1 | 5B | 68 BPM | ||
| Danza, Danza, Fanciulla Gentile | Chai-lun Yueh | G Minor | 4 | 6A | 137 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Ni sna ne otdikha | Alexander Borodin, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 132 BPM | ||
| Un ballo in maschera, Act II: Seguitemi - Ve', se di notte | Giuseppe Verdi, Renato Bruson, Katia Ricciarelli, Ruggero Raimondi, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| The Mikado: Act One, "Oh Fool, That Fleest My Hallowed Joys!" | Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey | C Major | 3 | 8B | 72 BPM | ||
| The Mikado: Act One, "Behold the Lord High Executioner" | Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey | E♭ Major | 5 | 5B | 82 BPM | ||
| My Fair Lady, Act I Scene 6: Colonel Pickering, I Don't Understand | Frederick Loewe, Penelope Wilton, Malcolm Sinclair, Matt McDonald | F Major | 3 | 7B | 128 BPM | ||
| Faure: Aprés un rêve | Gérard Souzay | E Minor | 1 | 9A | 133 BPM | ||
| H.M.S. Pinafore, Act I: The Nightingale | Gilbert & Sullivan Society of Houston | A♭ Major | 1 | 4B | 89 BPM | ||
| Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Three Little Maids from School Are We | The West End Performers | C Major | 3 | 8B | 125 BPM | ||
| Embraceable You | Tatiana Bookbinder | D Major | 1 | 10B | 70 BPM | ||
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | G Major | 2 | 9B | 74 BPM | ||
| Donizetti: Lucia di Lammermoor, Act III: Bridal Chorus. "D'immenso giubilo" | Gaetano Donizetti, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 131 BPM | ||
| Così fan tutte, K. 588 / Act I: "Bella vita militar!" - I | Wolfgang Amadeus Mozart, Chamber Orchestra of Europe, Yannick Nézet-Séguin, Vocalensemble Rastatt | A Major | 2 | 11B | 145 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Ya Vas Lyubil | Dmitri Hvorostovsky | G Major | 1 | 9B | 85 BPM | ||
| Bellini: I puritani: "Cinta di fiori e col ben crin disciolto" (Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Wagner: Schlafe, mein Kind! | Richard Wagner, Elisabeth Schumann, Walter Goehr, Unknown Orchestra | A♭ Minor | 1 | 1A | 104 BPM |