Aaron Copland, Benny Goodman, Abba Bogin, Laura Newell, Columbia Symphony Orchestra's 'Concerto for Clarinet, Strings & Harp: II. Rather Fast' had a release date set for October 14, 1963. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 12 in Copland: Concerto for Clarinet and Strings & Old American Songs by Aaron Copland, Columbia Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Concerto for Clarinet, Strings & Harp: II. Rather Fast is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Clarinet, Strings & Harp: II. Rather Fast by Aaron Copland, Benny Goodman, Abba Bogin, Laura Newell, Columbia Symphony Orchestra is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture "A Midsummer Night's Dream", Op. 21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | ||
| Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
| English Suite: Jaunt | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | C Major | 2 | 8B | 125 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
| Ruslan and Lyudmila, Op. 5, Overture | Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra | E Minor | 1 | 9A | 151 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
| Simple Symphony, Op. 4: Frolicsome Finale | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | G Major | 2 | 9B | 155 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
| Messiah, HWV 56, Pt. I: Pastoral Symphony, "Pifa" (Arr. L. Stokowski) | George Frideric Handel, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 84 BPM | ||
| Billy the Kid: No. 10, Billy's Funeral | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM | ||
| Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Major | 1 | 3B | 85 BPM | ||
| Way Out West (Arr. For Oboe) | Diana Doherty | E Major | 1 | 12B | 63 BPM | ||
| The Song of the High Seas | RCA Victor Symphony Orchestra | G Minor | 2 | 6A | 67 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 70 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
| Britten: The Young Person's Guide to the Orchestra, Op. 34 "Variations and Fugue on a Theme of Purcell" (Instrumental Version) | Benjamin Britten, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 1 | 8B | 77 BPM | ||
| Divertimento: V. Turkey Trot. Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 82 BPM | ||
| Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | F Minor | 0 | 4A | 92 BPM | ||
| Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 2 | 12B | 84 BPM | ||
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: II. Ostinato | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 1 | 8B | 108 BPM | ||
| The Sinking Of the Reuben James | The Highwaymen | G Minor | 2 | 6A | 67 BPM |