James Ross, Alexander McCall Smith's 'Built on the Clyde' had a release date set for May 1, 2019. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Built on the Clyde's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "These Are The Hands". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Built on the Clyde's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Built on the Clyde by James Ross, Alexander McCall Smith having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time Will Tell (Neosfaidh An Aimsir) | Colm Mac Con Iomaire | G Major | 4 | 9B | 160 BPM | ||
| The Midday Moon | Niall Breslin | D Minor | 2 | 7A | 122 BPM | ||
| Run to You | vision string quartet | C Major | 1 | 8B | 145 BPM | ||
| Contact: III. Contact | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | G Major | 6 | 9B | 146 BPM | ||
| Balkan-Batik! | Sally Greenaway | A♭ Major | 2 | 4B | 167 BPM | ||
| Movement 1 - Pt. 1 | Erland Cooper, Scottish Ensemble | A Minor | 3 | 8A | 81 BPM | ||
| Hassun Pekon massurkka/L'Inconnu De Limois | Becky Tracy | A Minor | 2 | 8A | 123 BPM | ||
| The Salmon Run | Salt House | B♭ Major | 2 | 6B | 124 BPM | ||
| Maria durch ein Dornwald ging | Malte Vief | D Major | 5 | 10B | 90 BPM | ||
| Nightfall | Hartwin, Nicolas Dupont, Mick Pedaja | D Minor | 2 | 7A | 86 BPM | ||
| Between Seconds and Ages | Francesca Guccione | A Minor | 3 | 8A | 101 BPM | ||
| Platti: Cello Sonata No. 7 in D Major, I. 84: III. Largho | Giovanni Benedetto Platti, Abel Selaocoe, Elizabeth Kenny, Fred Thomas, Kadialy Kouyate | F♯ Minor | 0 | 11A | 84 BPM | ||
| Bergamot | Dalal | E♭ Minor | 1 | 2A | 114 BPM | ||
| 6.1 Prelude | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | D Major | 2 | 10B | 92 BPM | ||
| Ornament and Crime: III. Ornament III | Bryce Dessner, Tim Fain | G Minor | 1 | 6A | 132 BPM | ||
| Gnossienne No. 1 | Buck McDaniel, Carrie Frey, Sonia Bize | G Major | 1 | 9B | 110 BPM | ||
| Emer's Dream (Aisling Eimear) | Colm Mac Con Iomaire | D Major | 2 | 10B | 139 BPM | ||
| Hideout | Thalas | G Major | 1 | 9B | 143 BPM | ||
| Pieces of Wood: III | Oliver Davis, Royal Philharmonic Orchestra, Julian Kershaw, Kerenza Peacock | E♭ Major | 0 | 5B | 74 BPM | ||
| The Renaissance Suite: II. PAVANE in Burnt Orange | Julie Cooper, Clio Gould, Camilla Pay, Oculus Ensemble, Simon Hale | G Minor | 1 | 6A | 131 BPM | ||
| Emily — No Prisoner Be: No. 21, His Feet are shod with Gauze (Bee Scherzo No. 3) | Kevin Puts, Time For Three | G Major | 1 | 9B | 110 BPM | ||
| Esperança | Carolina Alberti, Microcosmos | G Major | 1 | 9B | 110 BPM | ||
| Moon and Mist | HoKø | B Minor | 1 | 10A | 78 BPM | ||
| 3.2 Allemande | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | C Major | 1 | 8B | 81 BPM | ||
| 24 Preludes for Violin & Piano, Op. 46: No. 15, Adagio sognando (Arr. Vennart for Saxophone & Ensemble) | Lera Auerbach, Jess Gillam, Jess Gillam Ensemble | D♭ Major | 0 | 3B | 71 BPM |