Gaetano Donizetti, Daryl Griffith, The City of Prague Philharmonic Orchestra's ' "Donizetti Variations (Arr. Irving & March): Moderato" was released on its scheduled release date, January 1, 2002. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Donizetti Variations (Arr. Irving & March): Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 28 out of 32 in British By Arrangement by Gavin Sutherland, The City of Prague Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Donizetti Variations (Arr. Irving & March): Moderato's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Donizetti Variations (Arr. Irving & March): Moderato by Gaetano Donizetti, Daryl Griffith, The City of Prague Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
| Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: Finché si compia il rito (Nearco/Un Christiano/Paolina) | Gaetano Donizetti, Salvatore Cammarano, Piero de Palma, Virgilio Carbonari, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 1 | 5B | 71 BPM | ||
| Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: Perché di stolto giubilo (Paolina) | Gaetano Donizetti, Salvatore Cammarano, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E Major | 5 | 12B | 105 BPM | ||
| L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
| Die Walküre, WWV 86B, Act I: Winterstürme wichen dem Wonnemond "Siegmund's Love Aria" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
| Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
| Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
| Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
| Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
| Mozart: Così fan tutte, K. 588, Act 1: Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Karl Böhm, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
| Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
| Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) | Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | F Minor | 2 | 4A | 81 BPM | ||
| La Cenerentola / Act 2: Ah, signor, s'è ver che in petto | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
| Pagliacci / Prologue: "Si può? Signore! Signori!" | Ruggero Leoncavallo, Juan Pons, Philadelphia Orchestra, Riccardo Muti | D♭ Major | 1 | 3B | 75 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
| Gounod: Faust, Act 1: Récitatif. "Mais ce Dieu, que peut-il pour moi?" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
| Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
| I Pagliacci: Recitar!...Vesti la giubba | Ruggero Leoncavallo, Enrico Caruso | D♭ Minor | 1 | 12A | 112 BPM | ||
| Delibes: Lakmé, Act 2: Aria delle campanelle. "Dov'è l'indiana bruna?" (Lakmé) | Léo Delibes, Maria Callas, Tullio Serafin, Philharmonia Orchestra | E Minor | 1 | 9A | 173 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Monte-Carlo Philharmonic Orchestra, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| Il bacio | Luigi Arditi, Edita Gruberova, Radio Sinfonieorchester Stuttgart des SWR, Kurt Peter Eichhorn | G Major | 1 | 9B | 172 BPM |