- BPM
- 67
- Key
- G Minor
- Camelot
- 6A
II. For Each Ecstatic Instant by Huw Watkins, Ruby Hughes Song Details
"II. For Each Ecstatic Instant" by Huw Watkins, Ruby Hughes had its release date on November 4, 2022. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 19 in Echo by Ruby Hughes, Huw Watkins. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. II. For Each Ecstatic Instant is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of II. For Each Ecstatic Instant by Huw Watkins, Ruby Hughes is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Music Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -35.971 dB
- Acousticness
- 99%
- Danceability
- 25%
- Energy
- 1%
- Instrumentalness
- 17%
- Liveness
- 8%
- Loudness
- 40%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E♭ Major | 1 | 5B | 76 BPM | |
 | Montero & Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Gabriela Montero | E♭ Major | 0 | 5B | 67 BPM | |
 | Variations on a Slovak Folksong, H. 378 | Bohuslav Martinů, Paul Watkins, Huw Watkins | B Minor | 0 | 10A | 68 BPM | |
 | Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | B Major | 0 | 1B | 119 BPM | |
 | Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | |
 | Reflection | Oliver Davis, Huw Watkins | E♭ Major | 0 | 5B | 74 BPM | |
 | Sonata for Violin & Piano in C Major: III. Modéré, très à l'aise, au gré de l'interprète | Reynaldo Hahn, Tamsin Waley-Cohen, Huw Watkins | F♯ Minor | 0 | 11A | 140 BPM | |
 | Cello Sonata No. 3, H. 340: III. Allegro ma non Presto | Bohuslav Martinů, Paul Watkins, Huw Watkins | F Major | 2 | 7B | 123 BPM | |
 | Flute Concerto: I. Allegro molto | Huw Watkins, Adam Walker, Hallé, Ryan Wigglesworth | C Major | 1 | 8B | 105 BPM | |
 | Cello Sonata No. 1 in B-Flat Major, Op. 45, MWV Q 27: III. Allegro assai | Felix Mendelssohn, Paul Watkins, Huw Watkins | B Minor | 0 | 10A | 84 BPM | |
 | Invisible Cities: III. Distant, otherworldly | Charlotte Bray, Barbara Buntrock, Huw Watkins | D Major | 0 | 10B | 84 BPM | |
 | The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM | |
 | Duo Concertant, K054: III. Eglogue II | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | E♭ Major | 1 | 5B | 76 BPM | |
 | Pärt: Summa | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | G Minor | 2 | 6A | 105 BPM | |
 | Liederkreis, Op. 39: No. 5, Mondnacht (Arr. Clara Schumann for Piano) | Robert Schumann, Isata Kanneh-Mason | D Minor | 0 | 7A | 140 BPM | |
 | Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | |
 | Concert Suite: IV. When I Am Laid In Earth, "Dido's Lament" from Dido and Aeneas (Arr. Leopold Stokowski) | Henry Purcell, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 82 BPM | |
 | Glazunov: The Seasons, Op. 67, Pt. 4 "Autumn": No. 15, Petit Adagio | Alexander Glazunov, José Serebrier, Royal Scottish National Orchestra | A Major | 1 | 11B | 70 BPM | |
 | Romance in E-Flat Major, Op. 11 | Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 86 BPM | |
 | Wallfisch: Lamorma | Yuja Wang, Benjamin Wallfisch | G Major | 1 | 9B | 100 BPM | |
 | Sonata for Alto Trombone (or Horn) and Piano - II. Andante | Ben Goldscheider, Huw Watkins | A Major | 1 | 11B | 112 BPM | |
 | Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | |
 | 2 Sketches: A Northern Song | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 1 | 9A | 113 BPM | |
 | VI. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 70 BPM | |
 | Violin Sonata No. 1 in D Major, Op. 12 No. 1: II. Tema con variazioni. Andante con moto | Ludwig van Beethoven, Tamsin Waley-Cohen, Huw Watkins | D Major | 0 | 10B | 138 BPM |
- ISRC
- SEAEB2268080
- Label
- L-M Records/RCA Records