The Lark Ascending by Ralph Vaughan Williams, Bryden Thomson, London Symphony Orchestra, Michael Davis Song Details

"The Lark Ascending" by Ralph Vaughan Williams, Bryden Thomson, London Symphony Orchestra, Michael Davis had its release date on February 1, 1987. This song appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Norfolk Rhapsody by Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, London Symphony Orchestra, Michael Davis. The song's track number on the album is #6 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, The Lark Ascending is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since The Lark Ascending by Ralph Vaughan Williams, Bryden Thomson, London Symphony Orchestra, Michael Davis has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Lark Ascending being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.

Music Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -27.406 dB
Acousticness: 74%
Danceability: 13%
Energy: 7%
Instrumentalness: 53%
Liveness: 6%
Loudness: 54%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato	Ralph Vaughan Williams, Hallé, Sir Mark Elder	G Minor	0	6A	103 BPM
The Seasons, Op. 67: X. Barcarolle	Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra	A Major	2	11B	98 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco	Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn	E Minor	1	9A	111 BPM
Elegy, Op. 58	Edward Elgar, English Northern Philharmonia, David Lloyd-Jones	F Minor	0	4A	84 BPM
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Major	2	12B	123 BPM
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante	Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn	F Major	0	7B	122 BPM
Thaïs: Méditation	Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero	D Major	0	10B	84 BPM
Thaïs: Meditation	Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan	E Minor	1	9A	95 BPM
Five Variants of ‘Dives and Lazarus’	Ralph Vaughan Williams, Hallé, Sir Mark Elder	B Minor	1	10A	71 BPM
An Irish Symphony: In the Antrim Hills	Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn	F Major	0	7B	79 BPM
Japanese Suite, Op. 33, H. 126: I. Prelude. Song of the Fisherman	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	3	5A	103 BPM
The Tender Land Suite: I. Introduction and Love Music	Aaron Copland, Elgin Symphony Orchestra, Robert Hanson	D Major	3	10B	73 BPM
Appalachian Spring: II. Allegro	Aaron Copland, Leonard Bernstein, New York Philharmonic	F Major	4	7B	82 BPM
Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble)	Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos	G Major	1	9B	69 BPM
Crown Imperial	William Walton, English Northern Philharmonia, Paul Daniel	C Major	3	8B	116 BPM
Fantasia on Greensleeves (Arr. R. Greaves for Orchestra)	Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd	C Minor	0	5A	108 BPM
In the Steppes of Central Asia	Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	G Minor	1	6A	73 BPM
Over the Mountains High (Arr. J. Lloyd Webber for cello and piano)	Frederick Delius, Julian Lloyd Webber, John Lenehan	D Minor	1	7A	100 BPM
2 Pieces for Strings from Henry V: No. 1, Passacaglia. Death of Falstaff	William Walton, English Chamber Orchestra, Julian Lloyd Webber	B♭ Major	1	6B	119 BPM
Berceuse, Op. 16	Gabriel Fauré, Cocomi, Niu Niu	A Minor	1	8A	129 BPM
2 Pieces for Strings from Henry V: No. 2, Touch Her Soft Lips and Part	William Walton, English Chamber Orchestra, Julian Lloyd Webber	B♭ Major	1	6B	119 BPM
Florida Suite: II. By the River	Frederick Delius, English Northern Philharmonia, David Lloyd-Jones	G Major	0	9B	68 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale	Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung	E Major	2	12B	78 BPM
Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song)	Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset	D Minor	0	7A	86 BPM