- BPM
- 97
- Key
- E Major
- Camelot
- 12B
夢のあとに 作品7の1 by Gabriel Fauré, 藤原真理, 岡本美智子 Song Details
"夢のあとに 作品7の1" by Gabriel Fauré, 藤原真理, 岡本美智子 had its release date on August 21, 1991. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. 夢のあとに 作品7の1's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 夢のあとに・白鳥, so we believe that "夢のあとに 作品7の1" is a single. In terms of popularity, 夢のあとに 作品7の1 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of 夢のあとに 作品7の1 by Gabriel Fauré, 藤原真理, 岡本美智子 is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -23.658 dB
- Acousticness
- 99%
- Danceability
- 25%
- Energy
- 4%
- Instrumentalness
- 50%
- Liveness
- 7%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 7%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | |
 | Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 110 BPM | |
 | Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | |
 | Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. for Cello & Piano) | Christoph Willibald Gluck, Mischa Maisky, Pavel Gililov | B Minor | 1 | 10A | 66 BPM | |
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 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Klavierquintett Nr. 1 d-Moll, Op. 89: I. Molto moderato | Gabriel Fauré, Fine Arts Quartet, Cristina Ortiz | D Minor | 1 | 7A | 88 BPM | |
 | 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | |
 | Elgar: Mina | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 85 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM |
- ISRC
- JPCO08421870
- Label
- L-M Records/RCA Records