What is the music key for Accelerations - Waltz Op. 234 by Johann Strauss II, Hallé, Bryden Thomson?

The music key for Accelerations - Waltz Op. 234 is G Major or a camelot key of 9B.

Accelerations - Waltz Op. 234 by Johann Strauss II, Hallé, Bryden Thomson Song Details

"Accelerations - Waltz Op. 234" by Johann Strauss II, Hallé, Bryden Thomson had its release date on November 3, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Strauss II, Hallé, Bramwell Tovey's "Johann Strauss II Waltzes, Polkas & Overtures" album is number 4 out of 20. In terms of popularity, Accelerations - Waltz Op. 234 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Accelerations - Waltz Op. 234 by Johann Strauss II, Hallé, Bryden Thomson to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 16%
Loudness: -23.009 dB
Acousticness: 92%
Danceability: 31%
Energy: 5%
Instrumentalness: 41%
Liveness: 8%
Loudness: 62%
Speechiness: 4%
Valence: 15%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Scheherezade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra	E Minor	1	9A	70 BPM
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An Der Schonen, Blauen Donau (The Beautiful Blue Danube), Op. 314 : An Der Schonen, Blauen Donau (The Beautiful Blue Danube), Op. 314	Strauss Festival Orchestra, Johann Strauss II	D Major	0	10B	91 BPM
Tales of Hoffmann: Barcarolle	Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra	D♭ Minor	3	12A	110 BPM
The Love for Three Oranges Op. 33: Marche	Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon	A♭ Major	4	4B	128 BPM
Danse macabre, Op. 40	Camille Saint-Saëns, Royal Concertgebouw Orchestra, Charles Münch	D Major	2	10B	81 BPM
Jacques Offenbach: Les contes d'Hoffmann - Bacarolle	Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal	D Major	0	10B	132 BPM
Sylvia: Act III: Divertissement: Variation - Valse	Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia	E♭ Major	1	5B	97 BPM
String Quintet in E Major, Op. 13, No. 5: III. Minuetto	Luigi Boccherini, Lazar Gosman	A Major	1	11B	99 BPM
Holberg Suite, Op. 40: II. Sarabande. Andante	Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner	F♯ Minor	0	11A	147 BPM
Gayane Suite No. 2: I. Harvest Holiday	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	A♭ Major	4	4B	97 BPM
Echoes of Day	Nuit	G Major	5	9B	104 BPM
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato	Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor	E Major	1	12B	83 BPM
Jazz Suite No. 2: IV. Waltz 1	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	B♭ Major	2	6B	109 BPM
Carmen Suite No. 2: 3. Nocturne	Georges Bizet, Orchestre de Paris, Semyon Bychkov	E♭ Major	1	5B	97 BPM
Carissima	Edward Elgar, New Zealand Symphony Orchestra, James Judd	D Major	1	10B	119 BPM
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse)	Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky	C Minor	0	5A	82 BPM
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	G Major	0	9B	103 BPM
Wien bleibt Wien, Marsch	Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar	D Major	4	10B	122 BPM
The Dream of Gerontius, Op. 38, Pt.2: There was a mortal ... Praise to the Holiest	Sir Edward Elgar, Alice Coote, Paul Groves, Sir Mark Elder, Hallé	A♭ Major	0	4B	70 BPM
Don Quixote: Introduction	Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov	G Major	1	9B	80 BPM
Rosen aus dem Süden (Roses from the South), Op. 388 (RV 388)	Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss	F Major	1	7B	91 BPM
Die Fledermaus: Overture	Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber	D Major	2	10B	109 BPM
Angelica-Polka francaise, Op. 123	Josef Strauss, Budapest Strauss Symphony Orchestra, Alfred Walter	D Major	2	10B	82 BPM