Johnny Smith's 'I'll Be Around' had a release date set for January 1, 1956. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. I'll Be Around's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johnny Smith's "Moonlight In Vermont" album is number 10 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, I'll Be Around's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of I'll Be Around by Johnny Smith to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slowly | Milt Jackson Quartet | F Minor | 1 | 4A | 71 BPM | ||
| My Heart Stood Still | Nat Adderley | F Major | 1 | 7B | 135 BPM | ||
| Penpals | The Stan Tracey Quartet | F Minor | 5 | 4A | 118 BPM | ||
| I've Grown Accustomed To Her Face | Bud Shank, Bob Cooper | C Minor | 1 | 5A | 72 BPM | ||
| A Flower Is A Lovesome Thing | Billy Strayhorn | F♯ Major | 2 | 2B | 75 BPM | ||
| I Didn't Know What Time It Was - Remastered | Sonny Clark Trio | D Minor | 3 | 7A | 173 BPM | ||
| Take The "A" Train | Billy Strayhorn | C Major | 1 | 8B | 91 BPM | ||
| Vibes Abstraction | Bill Le Sage | F Major | 0 | 7B | 125 BPM | ||
| Summer Nights | Bobby Hutcherson | C Major | 1 | 8B | 79 BPM | ||
| Ah-Moore | Howard Roberts | F♯ Major | 2 | 2B | 67 BPM | ||
| A Sinner Kissed an Angel | Bud Shank, Bill Perkins | B♭ Minor | 2 | 3A | 124 BPM | ||
| Shadowland | Elvin Jones | E Minor | 1 | 9A | 61 BPM | ||
| Bluesville | Kenny Drew | F Minor | 2 | 4A | 163 BPM | ||
| We Kiss In A Shadow | Red Garland Trio | E♭ Major | 0 | 5B | 58 BPM | ||
| Just In Time | Bud Shank, Bob Cooper | C Minor | 3 | 5A | 89 BPM | ||
| Crazy He Calls Me | Wynton Kelly | C Major | 1 | 8B | 65 BPM | ||
| Steve Allen Theme | Bud Shank, Bob Cooper | B♭ Minor | 2 | 3A | 90 BPM | ||
| Born To Be Blue | Tommy Flanagan Trio | D Minor | 1 | 7A | 115 BPM | ||
| Four in the Evening | Chicago Underground Quartet | G Major | 2 | 9B | 111 BPM | ||
| I've Been In Love Before | Sonny Red | G Minor | 3 | 6A | 114 BPM | ||
| Days Of Wine And Roses | McCoy Tyner | G Minor | 1 | 6A | 66 BPM | ||
| Moonlight In Vermont | Lee Konitz, Jimmy Giuffre | F Minor | 1 | 4A | 74 BPM | ||
| September In The Rain - Instrumental | Red Garland Trio | E♭ Major | 3 | 5B | 98 BPM | ||
| Little Girl Blue - Instrumental | Red Garland Trio | E♭ Major | 0 | 5B | 89 BPM | ||
| Where or When | Johnny Smith | G Major | 1 | 9B | 139 BPM |