Bijli Rani, Rekha Rani, Barkha Rani's ' "Jalaya Naa Karo" was released on its scheduled release date, December 1, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Palang-Tod Naach Stage Programme Part.1". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Based on our statistics, Jalaya Naa Karo's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Jalaya Naa Karo by Bijli Rani, Rekha Rani, Barkha Rani having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tera Dar Har Dar Se Nirala Sai Bhajan | Anup Jalota, Avinash Jha | A Minor | 10 | 8A | 105 BPM | ||
| Bhai Nitish Ji Ke | Bikki Bahar, Bijli Rani | D♭ Major | 6 | 3B | 144 BPM | ||
| Saji Lagli Dulhan Dekho | Prem Kumar, Tripti Shakya, Bijli Rani | A♭ Major | 6 | 4B | 90 BPM | ||
| Kashi Bhola Ke Rajdhani | Bharat Sharma Vyas | B♭ Minor | 8 | 3A | 132 BPM | ||
| Aay Pokhar Me Uthlai Ujahi - Maithili | Dilip Darbhangiya | A♭ Major | 10 | 4B | 126 BPM | ||
| Aajhu Ke Raati | Anurag Anand | B♭ Minor | 4 | 3A | 163 BPM | ||
| Tohra Pe Waari Sanwriya Ae Raghubar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Gulari Ke Phool | Bijli Rani | A♭ Major | 9 | 4B | 116 BPM | ||
| Leta Nahi Tu Hari Ka Naam | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Mor Launde Raja | Bijli Rani, Dabbu Shukla, Rekha Rani | E Major | 7 | 12B | 185 BPM | ||
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| Ho Rahi Ram Naam Ki | Anjali Jain, Shailendra Jain | B Major | 4 | 1B | 133 BPM | ||
| Baba Ji Teri Shakti Noo | Dhiraj Sharma | A Major | 5 | 11B | 130 BPM | ||
| Vendi Kondalo Nunaa | M. Shankar Babu | F Major | 6 | 7B | 105 BPM | ||
| Ranubai Ki Duliri | Vaishali Sen, Sangeeta Gangrade | G Major | 7 | 9B | 128 BPM | ||
| Gadi Au Baila | Uttam Tandeshwar | F♯ Major | 8 | 2B | 133 BPM | ||
| Munjho Kinhan Te | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Shabd Thi Mann Mokooon | Manhar Udhas | E Minor | 5 | 9A | 119 BPM | ||
| Dil Leke Baghal Jali Dekha Hey Dilli Wali | Bijli Rani | F♯ Major | 8 | 2B | 105 BPM | ||
| Ae Nirmohi Balam Apan Ticket Ferwaw | Prem Kumar, Tripti Shakya, Bijli Rani | F♯ Major | 7 | 2B | 75 BPM | ||
| Mamta Ke Murti Aahan | Rambabu Jha | D♭ Major | 9 | 3B | 85 BPM | ||
| Nain Sa Nain Milal | Kunj Bihari Mishr, Mithla Ratan | F♯ Major | 7 | 2B | 104 BPM | ||
| Dulha Ke Kakka Bade Uchakka Samdhan Ko Mare Miss Call Bundeli Gari | Megha Yadav, Pratibha Vishwakarma, Kalpana Kachhuare, Suman Prajapati | F♯ Minor | 9 | 11A | 142 BPM | ||
| Rang De Maa Ki Chunariya | Shahnaaz Akhtar | F♯ Major | 6 | 2B | 142 BPM | ||
| Charno Main Teri Maiya | Kushal Barath, Mahendra | A Major | 5 | 11B | 110 BPM |