"Lamentationes Jeremiae Prophetae, Prima die: Lectio prima. Incipit lamentatio" by Emilio de' Cavalieri, Profeti Della Quinta had its release date on September 15, 2023. This song appears to be safe for all ages as it is not explicit. The song is number 19 out of 19 in Cavalieri: Lamentationes Jeremiae Prophetae by Emilio de' Cavalieri, Profeti Della Quinta. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Lamentationes Jeremiae Prophetae, Prima die: Lectio prima. Incipit lamentatio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lamentationes Jeremiae Prophetae, Prima die: Lectio prima. Incipit lamentatio by Emilio de' Cavalieri, Profeti Della Quinta is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Osculetur me osculo à 8 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | D Minor | 1 | 7A | 135 BPM | ||
| Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| La pellegrina: Aria, "Il ballo del granduca": O che nuovo miracolo | Giovanni de' Bardi, Emilio de' Cavalieri, Antonio Archilei, Cristofano Malvezzi, Luca Marenzio, Giulio Caccini, Silvia Rambaldi | A♭ Minor | 4 | 1A | 120 BPM | ||
| Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM | ||
| Rappresentatione di Anima, et di Corpo, Atto Terzo: Scena settima (Intelletto, Anime beate, Si rinchiude l'Inferno, Consiglio, Anime, Corpo) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Jan Van Elsacker, Céline Vieslet, Béatrice Mayo-Felip, Stephan MacLeod, Johannette Zomer, Marco Beasley | G Major | 0 | 9B | 74 BPM | ||
| Cantate, ariette, e duetti, Op. 2: No. 9, La vendetta | Barbara Strozzi, Laura Catrani, Accademia dell'Annunciata, Riccardo Doni | F Major | 0 | 7B | 141 BPM | ||
| Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
| Nymphes des bois, NJE 29.18 | Josquin des Prez, Graindelavoix, Björn Schmelzer | A♭ Minor | 2 | 1A | 81 BPM | ||
| Quinto Ballo detto lo Ninfe di Senna: Canario | Lorenzo Allegri, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Pseaumes de David, Livre 2: No. 30, Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Unknown, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
| Frescos ayres del prado | Antoine Boësset, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 104 BPM | ||
| Ballet des fous et des estropiés de la cervelle: I. Entrée de l'Embabouinée | Antoine Boësset, Le Poème Harmonique, Vincent Dumestre | B♭ Major | 0 | 6B | 128 BPM | ||
| Mass A 5: Kyrie | Oxford Camerata, William Byrd | C Minor | 1 | 5A | 127 BPM | ||
| Rappresentatione di Anima, et di Corpo, Atto Terzo: Scena quinta (Intelletto, Anime beate, nel Cielo aperto, Choro, Consiglio, Anima, Corpo, si rinchiude l'Inferno) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Jan Van Elsacker, Céline Vieslet, Béatrice Mayo-Felip, Stephan MacLeod, Johannette Zomer, Marco Beasley | G Major | 0 | 9B | 120 BPM | ||
| Rappresentatione di anima et di corpo, Atto I Scena 1: "Il tempo, il tempo fugge" (Tempo) | Emilio de' Cavalieri, Gyula Orendt, Akademie für Alte Musik Berlin, René Jacobs | G Major | 1 | 9B | 121 BPM | ||
| Quien te hizo, Juan Pastor | Esteban Daza, Shirley Rumsey | A Minor | 0 | 8A | 101 BPM | ||
| Tutti i madrigali a quattro voci, R 2513, Libro I: No. 8, Ancor che col partire | Cipriano de Rore, Amarcord | B Major | 3 | 1B | 111 BPM | ||
| Nabucco: Prologo / Siamo a riva | Michelangelo Falvetti, Cappella Mediterranea, Leonardo García-Alarcón, Chœur De Chambre De Namur, Capucine Keller, Mariana Flores, Matteo Bellotto | B♭ Minor | 1 | 3A | 77 BPM | ||
| In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
| Airs à quatre parties, Livre I: Que feray-je? | Jean Boyer, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | D Minor | 2 | 7A | 76 BPM | ||
| Couperin, L: Chaconne, G. 55 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Major | 1 | 8B | 101 BPM | ||
| Tu solus qui facis mirabilia: I. Prima pars | Josquin des Prez, Odhecaton, Paolo da Col | G Minor | 0 | 6A | 103 BPM | ||
| Canzoni da suonare, Op. 17: No. 18, La Cavagliera | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Un allato messagier | Luigi Rossi, Eva Zaïcik, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 92 BPM |