On January 1, 1959, the song "Lover Come Back To Me - Live At The Half Note, NYC, 1959" was released by Zoot Sims, Al Cohn. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Zoot Sims, Al Cohn, Phil Woods's "Jazz Alive! A Night At The Half Note (Live)" album is number 1 out of 4. On top of that, United States appears to be the country where this track was created. Based on our statistics, Lover Come Back To Me - Live At The Half Note, NYC, 1959's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lover Come Back To Me - Live At The Half Note, NYC, 1959 by Zoot Sims, Al Cohn to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sophisticated Lady | Clifford Jordan | A♭ Major | 1 | 4B | 96 BPM | ||
| There Is No Greater Love | Miles Davis Quintet | D Minor | 2 | 7A | 59 BPM | ||
| A Ballad For Doll | Jackie McLean | D Major | 2 | 10B | 177 BPM | ||
| Small Garden | Zoot Sims | D Major | 6 | 10B | 119 BPM | ||
| Imagination | Chet Baker Quartet | A♭ Minor | 1 | 1A | 116 BPM | ||
| Body And Soul | Paul Gonsalves | B♭ Minor | 2 | 3A | 64 BPM | ||
| Dancing In The Dark | Cannonball Adderley | F Major | 3 | 7B | 185 BPM | ||
| All The Way - Rudy Van Gelder Edition / 2007 / Digital Remaster | Lee Morgan | C Minor | 2 | 5A | 117 BPM | ||
| Autumn In New York | Tal Farlow | G Minor | 1 | 6A | 75 BPM | ||
| Too Young To Go Steady | John Coltrane Quartet | F Major | 2 | 7B | 130 BPM | ||
| Velvet Moon | Tommy Flanagan Trio | A♭ Major | 1 | 4B | 76 BPM | ||
| My One And Only Love | Chick Corea, Malcolm Addey | F Minor | 3 | 4A | 79 BPM | ||
| Star Eyes | McCoy Tyner | F Minor | 3 | 4A | 173 BPM | ||
| Night Lights - 1965 Version | Gerry Mulligan Sextet | A♭ Major | 1 | 4B | 122 BPM | ||
| In Paradise | Otis Williams | F Minor | 4 | 4A | 166 BPM | ||
| Rain | Red Garland Trio | A♭ Major | 4 | 4B | 94 BPM | ||
| Laura | Don Byas | C Major | 2 | 8B | 66 BPM | ||
| That's for Sure | Billy Taylor | D♭ Major | 4 | 3B | 144 BPM | ||
| Band Aid | Chet Baker Quartet, Russ Freeman | D♭ Major | 3 | 3B | 129 BPM | ||
| All Or Nothing At All | John Coltrane Quartet | G Major | 4 | 9B | 92 BPM | ||
| I Just Dropped By To Say Hello | Johnny Hartman | F Minor | 1 | 4A | 101 BPM | ||
| Mean To Me | Count Basie, Zoot Sims | G Minor | 3 | 6A | 122 BPM | ||
| My Funny Valentine - Rudy Van Gelder Remaster 2007 | Miles Davis Quintet | C Minor | 1 | 5A | 70 BPM | ||
| Jubilation | Junior Mance | C Major | 2 | 8B | 100 BPM | ||
| Off Minor - 1990 Remaster | Bud Powell Trio | E♭ Major | 3 | 5B | 94 BPM |