The Soldier's Tale (Narrated by Roger Waters): Part I: The Soldier, Disconsolate... by Igor Stravinsky, Roger Waters Song Details

Igor Stravinsky, Roger Waters's 'The Soldier's Tale (Narrated by Roger Waters): Part I: The Soldier, Disconsolate...' had a release date set for October 26, 2018. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 46 in the song's album "The Soldier's Tale (Narrated by Roger Waters)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, The Soldier's Tale (Narrated by Roger Waters): Part I: The Soldier, Disconsolate... is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

With The Soldier's Tale (Narrated by Roger Waters): Part I: The Soldier, Disconsolate... by Igor Stravinsky, Roger Waters having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -30.832 dB
Acousticness: 20%
Danceability: 66%
Energy: 12%
Instrumentalness: 0%
Liveness: 20%
Loudness: 49%
Speechiness: 72%
Valence: 29%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
4 Kleine Stücke: I. Timoroso	Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward	F♯ Minor	0	11A	51 BPM
Petrouchka / Tableau I: Fête populaire de la semaine grasse	Igor Stravinsky, Cleveland Orchestra, Pierre Boulez	D Minor	2	7A	116 BPM
The Rite of Spring, K15, Pt. 1: IV. Spring Rounds	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	F Minor	0	4A	77 BPM
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	B♭ Major	1	6B	155 BPM
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	G Major	0	9B	142 BPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto)	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps	Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen	F♯ Minor	0	11A	97 BPM
Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding]	Susan Bickley, Martyn Hill, Alan Ewing, Alison Wells, Simon Joly Chorale, International Piano Quartet, Tristan Fry Percussion Ensemble, Robert Craft	E Major	2	12B	118 BPM
Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied – Das Nachtlied	Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan	F Minor	0	4A	77 BPM
Pictures at an Exhibition (Orch. Ravel): I. Gnomus	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	E Major	1	12B	60 BPM
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	B Minor	1	10A	69 BPM
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone	Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas	B♭ Minor	0	3A	82 BPM
La Mer, L.109: 3. Dialogue Of The Wind And The Sea	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	2	3B	83 BPM
Stravinsky: Symphony in C: II. Larghetto concertante	Igor Stravinsky, Sir Simon Rattle, Berliner Philharmoniker	F Major	0	7B	104 BPM
Scheherazade: Calm - the triumph of Scheherazade	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Minor	0	9A	68 BPM
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus	Olivier Messiaen, Lucas Debargue, Torleif Thedéen	E Major	0	12B	81 BPM
Symphony No. 4 in F Minor, Op. 36: III. Scherzo. Pizzicato ostinato – Allegro	Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan	C Major	1	8B	156 BPM
Symphony No. 5 in B Flat Major, Op. 100: II. Allegro marcato	Sergei Prokofiev, Thomas Søndergård, Royal Scottish National Orchestra	G Major	2	9B	81 BPM
Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia	William Walton, London Symphony Orchestra, Sir Colin Davis	F Major	2	7B	153 BPM
El amor brujo: Ritual Fire Dance	Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra	G Major	1	9B	134 BPM
The Rite of Spring: Part One: Adoration of the Earth: Dance of the Earth	Igor Stravinsky, Teodor Currentzis, musicAeterna	G Major	5	9B	89 BPM
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Major	2	12B	123 BPM
The Rite of Spring, K15, Pt. 2: XIV. Sacrificial Dance	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	F Minor	0	4A	77 BPM
Debussy: Syrinx, CD 137, L. 129	Emmanuel Pahud	A♭ Major	0	4B	65 BPM
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin	D♭ Minor	4	12A	173 BPM