- BPM
- 142
- Key
- G Minor
- Camelot
- 6A
The Short-Tempered Clavier: VII. F Major by P.D.Q.Bach, Christopher O'Riley Song Details
P.D.Q.Bach, Christopher O'Riley's 'The Short-Tempered Clavier: VII. F Major' had a release date set for August 1, 1995. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "PDQ Bach: The Short-Tempered Clavier and Other Dysfunctional Works for Keyboard". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, The Short-Tempered Clavier: VII. F Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With The Short-Tempered Clavier: VII. F Major by P.D.Q.Bach, Christopher O'Riley having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -27.947 dB
- Acousticness
- 98%
- Danceability
- 34%
- Energy
- 4%
- Instrumentalness
- 80%
- Liveness
- 13%
- Loudness
- 53%
- Speechiness
- 4%
- Valence
- 33%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rosary Sonata No. 1 in D Minor "The Annunciation" (Arr. for String Orchestra): I. Praeludium | Heinrich Ignaz Franz von Biber, Joshua Choe | D Minor | 0 | 7A | 77 BPM | |
 | Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | |
 | Sinfonia: II. Transit | Zhou Tian, J. Eric Wilson, Baylor University Wind Ensemble | G Minor | 3 | 6A | 142 BPM | |
 | Das Lied von der Erde: VIa. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | D Minor | 2 | 7A | 64 BPM | |
 | postcard | WOOK | D♭ Major | 2 | 3B | 125 BPM | |
 | Messiaen: Fête des belles eaux: VIII. Feux d'artifice final | Olivier Messiaen, Jeanne Loriod, Sextuor Jeanne Loriod | B Major | 2 | 1B | 172 BPM | |
 | Die Kommissarin (The Commissar): Spaziergange d. Wawilowa durch die Stadt | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | E Minor | 0 | 9A | 73 BPM | |
 | Trio (sic) Sonata, S. 3 (4): IV. L'altro mezzo | P.D.Q.Bach, Wayne Hedrick, Grace Lingen, Peter DuBeau, Richard Fitz, Lowell Graham | D Major | 1 | 10B | 125 BPM | |
 | The Birds, P. 154: IV. The Nightingale | Ottorino Respighi, Louis Lane, Atlanta Symphony Orchestra | D Major | 1 | 10B | 91 BPM | |
 | Canzon per sonar a sei—Count Them—Sei | Peter Schickele, Michael Sachs, David Zauder, Richard Solis, Richard King, James de Sano, Ronald Bishop | G Major | 1 | 9B | 100 BPM | |
 | 4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | |
| La doña del hotel | Gabriel Andrés Gallegos, Budapest Art Orchestra | E Major | 0 | 12B | 84 BPM | |
 | Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | D Minor | 2 | 7A | 64 BPM | |
 | Scaramouche, Op. 165c: II. Modere | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 168 BPM | |
 | Serenade for 13 Wind Instruments in E flat major, Op. 7 | Richard Strauss, François Leleux | E♭ Major | 0 | 5B | 70 BPM | |
 | Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | |
| Suite for 13 Wind Instruments in B flat major, Op. 4: I. Praeludium | Richard Strauss, François Leleux | B♭ Major | 0 | 6B | 127 BPM | |
 | Serenade No. 12 in C Minor, K. 388: III. Menuetto in canone | Wolfgang Amadeus Mozart, Oslo Philharmonic Wind Soloists | C Minor | 1 | 5A | 77 BPM | |
 | Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | |
 | King's Row | Erich Wolfgang Korngold, Vienna Horns | G Major | 1 | 9B | 144 BPM | |
 | Jūra, MKČ 102: I. Exposition, Main Theme | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | E Major | 1 | 12B | 88 BPM | |
 | Violin Concerto: II. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 94 BPM | |
 | Clarinet Sonata in E-Flat Major, Op. 167, R. 147: III. Lento | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | D Major | 1 | 10B | 83 BPM | |
 | Passacaglia & Fugue in C Minor, BWV 582 (Arr. for Orchestra by Sir Andrew Davis): II. Fugue | Johann Sebastian Bach, BBC Philharmonic, Sir Andrew Davis | E♭ Major | 0 | 5B | 73 BPM | |
 | Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM |
- ISRC
- USTE10308390
- Label
- L-M Records/RCA Records