Variations on a Theme by Tchaikovsky, Op. 35a: Var. IV. Vivace - Live by Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov Song Details

"Variations on a Theme by Tchaikovsky, Op. 35a: Var. IV. Vivace - Live" by Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov had its release date on October 14, 2022. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Variations on a Theme by Tchaikovsky, Op. 35a (Live) by Anton Arensky, Pavel Lyubomudrov, Metamorphose String Orchestra. The song's track number on the album is #5 out of 9 tracks. Based on our data, Italy was the country where this track was produced or recorded. Based on our statistics, Variations on a Theme by Tchaikovsky, Op. 35a: Var. IV. Vivace - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Variations on a Theme by Tchaikovsky, Op. 35a: Var. IV. Vivace - Live by Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Variations on a Theme by Tchaikovsky, Op. 35a: Var. IV. Vivace - Live being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.

Music Key

F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 9%
Loudness: -22.7 dB
Acousticness: 95%
Danceability: 20%
Energy: 7%
Instrumentalness: 67%
Liveness: 7%
Loudness: 62%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
5 Stücke im Volkston, Op. 102: No. 2, Langsam	Robert Schumann, Gabriel Schwabe, Nicholas Rimmer	F Major	0	7B	173 BPM
Piano Quintet in C Minor: II. Scherzo: Allegro non troppo	Alexander Borodin, Ilona Prunyi, New Budapest Quartet	C Major	1	8B	115 BPM
Paradis: Sicilienne 파라디스 시실리안느	김준영	E♭ Major	0	5B	137 BPM
Piano Trio No. 1 in D Minor, Op. 32: II. Scherzo	Anton Arensky, Wilkomirski Trio	A Major	1	11B	125 BPM
Nocturne No.3 in A Flat Major, Op.33 No.3	Gabriel Fauré, Pascal Rogé	A Minor	0	8A	76 BPM
String Quartet No. 2 in A Minor, Op. 35: II. Variation 5: Andante	Anton Arensky, Ying Quartet	D Major	2	10B	98 BPM
Piano concerto in A Minor, Op. 7: II. Romanze : Andante non troppo con grazia	Clara Schumann, Canada's National Arts Centre Orchestra, Alexander Shelley	C Major	1	8B	120 BPM
Ethereal Reverie	Sebastian Verneau	D Major	3	10B	153 BPM
Variations on a Rococo Theme, Op. 33, TH 57: Var: III. Andante sostenuto	Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek	G Major	1	9B	60 BPM
4 Morceaux, Op. 56: No. 2, Romance	Anton Arensky, Dmitrii Khrychev, Olga Solovieva	G Major	0	9B	99 BPM
Prelude a l'apres-midi d'un faune (feat. Andrew Davis)	Jeanne Baxtresser	A♭ Minor	2	1A	169 BPM
Myrthen, Op. 25: I. Widmung (Arr. for Cello & Piano)	Robert Schumann, Raphaela Gromes, Julian Riem	F Major	0	7B	175 BPM
Webern - Langsamer Satz, M.78	Anton Webern, Borodin Quartet	E♭ Major	2	5B	92 BPM
Debussy: La plus que lente, CD 128, L. 121 (Arr. Roques for Violin and Piano)	Claude Debussy, Vilde Frang, José Gallardo	G Major	1	9B	125 BPM
7 Morceaux de salon, Op. 10: No. 2, Valse	Sergei Rachmaninoff, Boris Giltburg	C Major	2	8B	124 BPM
Salut d'amour, Op. 12	Edward Elgar, Esther Yoo, Royal Philharmonic Orchestra, Long Yu	C Major	2	8B	124 BPM
Douze valses, Le ruban dénoué: No. 3, Souvenir… Avenir…	Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik	E Major	1	12B	108 BPM
Adriana Lecouvreur, Act 2: Intermezzo	Francesco Cilea, Opera Australia Orchestra, Andrea Molino	F Major	0	7B	124 BPM
Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto	Max Bruch, George Hanson, Sinfonieorchester Wuppertal	E♭ Major	0	5B	87 BPM
Les saisons (The Seasons), Op. 37b: X. October: Autumn Song	Ilya Rachkovsky	E Major	1	12B	131 BPM
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio	Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra	A Minor	2	8A	108 BPM
Concert pour piano, violon et quatuor à cordes in D Major, Op. 21: II. Sicilienne	Ernest Chausson, Boito Quartet, Leonardo Zunica, Paolo Ghidoni	D Minor	1	7A	138 BPM
Franck: Violin Sonata in A Major, FWV 8: III. Recitativo-Fantasia. Ben moderato - Molto lento	César Franck, Daniel Lozakovich, Mikhail Pletnev	D Major	1	10B	105 BPM
25 Preludes, Op. 64: No. 15 in D-Flat Major	César Cui, Jouni Somero	D♭ Major	0	3B	59 BPM
Liebeslied, S. 566 (After Schumann's Op. 25 No. 1)	Franz Liszt, Kasparas Uinskas	A♭ Major	1	4B	69 BPM