"Cello Concerto: VIII. Adrift" by Ned Rorem, Wen-Sinn Yang, Royal Scottish National Orchestra, José Serebrier had its release date on September 1, 2007. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Cello Concerto: VIII. Adrift's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Rorem: Piano Concerto No. 2 - Cello Concerto". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. Cello Concerto: VIII. Adrift is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto: VIII. Adrift by Ned Rorem, Wen-Sinn Yang, Royal Scottish National Orchestra, José Serebrier having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prayer for Peace | Sasha Johnson Manning, James Manson, John Turner, Victoria String Quartet | D Minor | 0 | 7A | 66 BPM | ||
| Hannikainen : Five Piano Pieces Op.20 : I Syyssateita [Autumn Rain] | Ilmari Hannikainen, Izumi Tateno | E Minor | 0 | 9A | 89 BPM | ||
| Nocturne | Lili Boulanger, Olivier Charlier, Emile Naoumoff | C Minor | 0 | 5A | 71 BPM | ||
| Zwei Dialoge mit Nachwort: I. Hochzeitswalzer | Valentin Silvestrov, Alexei Lubimov, Munich Chamber Orchestra, Christoph Poppen | F♯ Major | 0 | 2B | 175 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | F Minor | 0 | 4A | 112 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| 4 Pictures for Piano Duet: No. 4, Quite Slow and Sad | Edward Gregson, Murray McLachlan, Rose McLachlan | F Major | 1 | 7B | 135 BPM | ||
| Piano Quintet No. 1 "Margarete": I. Prelude and Chorale | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | F Minor | 0 | 4A | 112 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
| Mouvements perpétuels, n°3 alerte | Francis Poulenc, Alexandre Tharaud | D Minor | 1 | 7A | 67 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | F Minor | 0 | 4A | 112 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | F Minor | 0 | 4A | 112 BPM | ||
| Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | ||
| Our Town, Act I: "Why, Hello, George Gibbs" | Ned Rorem, Glorivy Arroyo, Margot Rood, Brendan Buckley, Stefan Barner, Jonas Budris, Jason Connell, Angela Gooch, Matthew DiBattista, Gil Rose | C Major | 3 | 8B | 93 BPM | ||
| Ariel - Five Poems Of Sylvia Plath For Soprano, Clarinet And Piano: Lady Lazarus - Produced | Ned Rorem, Joseph Rabbai-clarinet, Ryan Edwards-piano, Phyllis Curtin-soprano | D Major | 1 | 10B | 84 BPM | ||
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| Book of Hours: Compline (Nightfall) | Ned Rorem, The Fibonacci Sequence | C Major | 1 | 8B | 90 BPM | ||
| Our Town, Act II: "Hello There, George. Howdy, Emily" | Ned Rorem, Matthew DiBattista, Brendan Buckley, Margot Rood, Glorivy Arroyo, Gil Rose | C Major | 1 | 8B | 95 BPM | ||
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | F Minor | 0 | 4A | 112 BPM | ||
| Schubert's "Winterreise": No. 15, Die Krähe | Hans Zender, Franz Schubert, Aurora Orchestra, Nicholas Collon, Allan Clayton | F Minor | 0 | 4A | 112 BPM | ||
| Nocturne No. 11 in F-Sharp Minor, Op. 104 No. 1 | Gabriel Fauré, Kun-Woo Paik | D Major | 0 | 10B | 75 BPM | ||
| Dies Natalis, Op.8: 1. Intrada | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 82 BPM |