- BPM
- 149
- Key
- D Major
- Camelot
- 10B
Suite No. 1 for Cello & Guitar: I. Preludio by Raffaele Bellafronte, Duo Escualo Song Details
Raffaele Bellafronte, Duo Escualo's 'Suite No. 1 for Cello & Guitar: I. Preludio' had a release date set for January 16, 2026. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 10 in Fuga dal tempo by Duo Escualo. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Suite No. 1 for Cello & Guitar: I. Preludio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Suite No. 1 for Cello & Guitar: I. Preludio by Raffaele Bellafronte, Duo Escualo is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -16.085 dB
- Acousticness
- 96%
- Danceability
- 34%
- Energy
- 13%
- Instrumentalness
- 70%
- Liveness
- 11%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 22%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata per violoncello solo: II. Lento espressivo | Giacomo Cataldo, Jérémy Garbarg | D Minor | 0 | 7A | 138 BPM | |
 | Preludio en Re Mayor | Francisco Tárrega, Sergio Santes | E Major | 0 | 12B | 142 BPM | |
![Mädchenlieder, Op. 103: 4. An den Abendstern (Evening Star) [arr. J. Lloyd Webber for 2 cellos and piano] by Robert Schumann, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan](https://i.scdn.co/image/ab67616d00001e023a980e3f3a09fb285e742505) | Mädchenlieder, Op. 103: 4. An den Abendstern (Evening Star) [arr. J. Lloyd Webber for 2 cellos and piano] | Robert Schumann, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | G Major | 1 | 9B | 83 BPM | |
 | Siete Canciones Populares Españolas: No. 5, Nana - Arr. for Cello and Piano | Fulvia Mancini, Benjamin Engeli | A Minor | 0 | 8A | 81 BPM | |
 | Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): IV. Variazione II | Ernst Krähmer, Claudio Ferrarini | E♭ Major | 2 | 5B | 111 BPM | |
 | Prelude & Laughing Rock: I. Prelude | Ross Edwards, Richard Narroway | G Major | 0 | 9B | 64 BPM | |
 | Variation 6 | Pyotr Ilyich Tchaikovsky, Dimitri Maslennikov, Deutsches Symphonie-Orchester Berlin, Christoph Eschenbach | D Minor | 1 | 7A | 105 BPM | |
 | Lecon, Op. 60: No. 22 in E Minor | Fernando Sor, Nicholas Goluses | E Minor | 1 | 9A | 131 BPM | |
 | Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andande sostenuto | Pyotr Ilyich Tchaikovsky, John Eliot Gardiner, Steven Isserlis, Chamber Orchestra of Europe | D Major | 0 | 10B | 84 BPM | |
 | Concerto in B minor for Double-bass and Orchestra: 1. Allegro moderato | Giovanni Bottesini, Odon Racz, Franz Liszt Chamber Orchestra | G Major | 1 | 9B | 92 BPM | |
 | Fuga in A Major | Adam Falckenhagen, Carlos Torres | A♭ Major | 3 | 4B | 85 BPM | |
 | Sonata prima - Desaccòrd: I. Vivo | Raffaele Bellafronte, Alessandro Deljavan | E Minor | 0 | 9A | 94 BPM | |
 | Scherzo-Tarantelle, Op. 16 | Henryk Wieniawski, Heinrich Schiff, Samuel Sanders | D Major | 2 | 10B | 109 BPM | |
 | Evermore | Paul Moravec, Maria Bachmann, Stephen Gosling | G Major | 0 | 9B | 68 BPM | |
 | Cello Suite No. 3, Op. 87: V. Dialogo. Allegretto – | Benjamin Britten, Steven Isserlis | C Major | 1 | 8B | 110 BPM | |
 | Ricercar No. 1 in G Minor | Domenico Gabrielli, Mauro Valli | B Major | 1 | 1B | 112 BPM | |
 | Suite in A Major: II. Chaconne | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | |
 | Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | |
 | First Suite In A Minor (Premiere Suite, En La Mineur): Introduction (L'Entrevue) | Alexandre De Villeneuve | E♭ Major | 2 | 5B | 69 BPM | |
 | Cello Suite in G Major, Op. 131c, No. 1: I. Prelude | Max Reger, Guido Schiefen | G Major | 1 | 9B | 74 BPM | |
 | Collectici intim: No. 3, La Calma (Calm) | Vicente Asencio, Otto Tolonen | E Minor | 0 | 9A | 136 BPM | |
 | Zeit: I. Calmo, ritmico | Raffaele Bellafronte, Patrick De Ritis, Vienna Concert Society, Dirk Vermeulen | F Major | 0 | 7B | 84 BPM | |
| Cello Suite in G Major, Op. 131c, No. 1: II. Adagio | Max Reger, Guido Schiefen | F Major | 1 | 7B | 90 BPM | |
 | Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | |
 | Nana | Manuel de Falla, Kim Kashkashian, Robert Levin | A Minor | 0 | 8A | 93 BPM |
- ISRC
- ITJ092500174
- Label
- L-M Records/RCA Records