"Phantom Fantasia: Prima Donna" by Andrew Lloyd Webber, Anthony Inglis had its release date on 1991. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Phantom Fantasia: Prima Donna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Symphonic Lloyd Webber". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Phantom Fantasia: Prima Donna is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Phantom Fantasia: Prima Donna by Andrew Lloyd Webber, Anthony Inglis having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Procession of the Nobles | Olive the Otter Dog | C Minor | 2 | 5A | 112 BPM | ||
| Un Amoroso Camino | Joaquin Borges, National Philarmonic Orchestra | D♭ Minor | 1 | 12A | 74 BPM | ||
| Journey to the Cemetery | Emmy Rossum, Andrew Lloyd Webber | D Minor | 0 | 7A | 88 BPM | ||
| The Boy Next Door (from “Meet Me In St. Louis”) | Hugh Martin, Ralph Blane – arr. Conrad Salinger, Conrad Salinger Orchestra, Buddy Bregman | F Major | 3 | 7B | 69 BPM | ||
| Baby Mothers Unashamed Mothers | Danke Timi Briggs | G Minor | 2 | 6A | 147 BPM | ||
| The Adventures of Robin Hood (Love Theme) | City Light Symphony Orchestra | F Major | 3 | 7B | 109 BPM | ||
| Phantasia (Based on 'The Phantom of the Opera') | Julian Lloyd Webber, Andrew Lloyd Webber, Sarah Chang | A♭ Major | 1 | 4B | 88 BPM | ||
| Dance of the Comedians from the Bartered Bride (Live) | Shen Yun Symphony Orchestra | A Minor | 2 | 8A | 135 BPM | ||
| Le Corsaire: Pas de Trois - Adagio | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 95 BPM | ||
| Paquita: Variation 7: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 201 BPM | ||
| The Birds, P. 154: IV. The Nightingale | Ottorino Respighi, Louis Lane, Atlanta Symphony Orchestra | D Major | 1 | 10B | 91 BPM | ||
| Paquita: Variation 6: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 165 BPM | ||
| Evita Symphonic Suite - Pt.2 | Andrew Lloyd Webber, The Andrew Lloyd Webber Orchestra, Simon Lee | E Minor | 1 | 9A | 42 BPM | ||
| Giselle, Act 2: No. 20 Giselle's Variation | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | ||
| Entreacto - 2000 Mexican Spanish Cast Recording Of "The Phantom Of The Opera" | Andrew Lloyd Webber, "The Phantom Of The Opera" 2000 Mexican Spanish Cast | E Major | 2 | 12B | 77 BPM | ||
| Midnight Friends | Attie Esterhuizen, Bob Mintzer, The Cape Town Philharmonic Orchestra | F Major | 3 | 7B | 109 BPM | ||
| Love is a Many Splendored Thing | Sammy Fain, Hollywood Bowl Orchestra, John Mauceri | F♯ Major | 2 | 2B | 94 BPM | ||
| The Wizard's Exposé / Emerald City Graduation / Fill-In Awards | Hollywood Cinematic Orchestra, The Wizard of Oz at Sphere | E Minor | 3 | 9A | 141 BPM | ||
| La Bayadere, Act III: 47. "Variation - Nikiya and Solor, Scarf. Coda. Finale" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 78 BPM | ||
| Prima Donna | Laclede Quartet | F Major | 1 | 7B | 115 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Scherzo (The Bolt) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 77 BPM | ||
| Aviso a Batalladores | Senderos Del Destino | F Major | 4 | 7B | 140 BPM | ||
| Como Gotas de Rocio | Sirenas Celestiales | E♭ Minor | 2 | 2A | 81 BPM | ||
| Glazunov: Concert Waltz No. 1, Op. 47 | Alexander Glazunov, Sir Charles Mackerras, Philharmonia Orchestra | F Major | 3 | 7B | 109 BPM | ||
| Prelude: The Wispering Valley | Silvia Capova, Slovak Radio Symphony Orchestra, Ronald Binge | G Major | 1 | 9B | 143 BPM |