David Hopper, DMorse's 'Miami Road' had a release date set for April 16, 2013. This song is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The track order of this song in David Hopper, DMorse's "Miami Road EP" album is number 1 out of 2. On top of that, United States appears to be the country where this track was created. Based on our statistics, Miami Road's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Miami Road by David Hopper, DMorse to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Divertimento: V. Turkey Trot. Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 82 BPM | ||
| Tsarskaya nevesta (The Tsar's Bride): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 3 in F Major. Allegretto (Version for Orchestra) | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | F Major | 0 | 7B | 137 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| Hungarian Rhapsody No. 5 in E Minor, S. 244 Heroïde-Elégiaque | Franz Liszt, Roberto Szidon | C Major | 0 | 8B | 89 BPM | ||
| III. Folk Feast (National Holiday) [Arr. L. Atovmyan] | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 3 | 11B | 161 BPM | ||
| Khachaturian: Suite No. 1 from Spartacus: III. Variation of Aegina - Bacchanalia | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E♭ Minor | 2 | 2A | 129 BPM | ||
| Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM | ||
| Variations on a theme of Frank Bridge, Op. 10: VI. Bourrée classique | Benjamin Britten, English Chamber Orchestra | D Major | 2 | 10B | 103 BPM | ||
| Peter and the Wolf, Op. 67: L'istesso tempo - Più mosso | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
| Pictures At An Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 102 BPM | ||
| Giselle - Act 2: No. 15 Grand pas de deux: a) Andante | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | A♭ Major | 1 | 4B | 116 BPM | ||
| Le Carnaval des Animaux: Grand Fantaisie Zoologique: IX. Le Coucou au fond des bois | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic, Tony Cirone, David Hopper, Ruth Segal, Naomi Segal, Gary Karr, Paula Robinson, Paul Green | E Major | 0 | 12B | 137 BPM | ||
| Die Walküre: Magic Fire Music | Richard Wagner, George Szell, Cleveland Orchestra | G Major | 2 | 9B | 80 BPM | ||
| Jeux d'enfants, Op. 22: I. March | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | C Major | 1 | 8B | 132 BPM | ||
| Raymonda, Act I: Scene 1. 1er Tableau (Lento maestoso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 1 | 5B | 81 BPM | ||
| Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 59 BPM | ||
| Satie: Parade: Choral - Prélude du rideau rouge | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | D Minor | 1 | 7A | 105 BPM | ||
| Billy the Kid Suite: VIII. The Open Prairie Again | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 72 BPM | ||
| Shostakovich: Suite from the Age of Gold, Op. 22: II. Polka | Dmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo Järvi | D Minor | 1 | 7A | 91 BPM | ||
| Estampes, L. 100: 1. Pagodes | Claude Debussy, Alexis Weissenberg | A♭ Minor | 1 | 1A | 95 BPM | ||
| VI. Galop | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 168 BPM | ||
| Jeux d'enfants, Op. 22: III. The Spinning Top | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | E Major | 0 | 12B | 76 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Satie: En habit de cheval: No. 1, Choral (Orchestral Version) | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | B♭ Major | 4 | 6B | 157 BPM |