- BPM
- 77
- Key
- F Major
- Camelot
- 7B
American Caprice by Morton Gould, Lara Downes Song Details
"American Caprice" by Morton Gould, Lara Downes had its release date on October 28, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 21 in America Again by Lara Downes. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. American Caprice is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of American Caprice by Morton Gould, Lara Downes is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -24.175 dB
- Acousticness
- 99%
- Danceability
- 49%
- Energy
- 4%
- Instrumentalness
- 85%
- Liveness
- 8%
- Loudness
- 60%
- Speechiness
- 9%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | |
 | Mississippi, "A Journey in Tones": III Old Creole Days | Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg | A♭ Major | 0 | 4B | 98 BPM | |
 | Symphony No. 2, Op. 16 "The Four Temperaments": II. Andante comodo e flammatico | Carl Nielsen, Morton Gould, Chicago Symphony Orchestra | G Major | 1 | 9B | 113 BPM | |
 | Theme of the Fast Carriers - 1992 Remastered | Robert Russell Bennett, Richard Rodgers | G Major | 2 | 9B | 109 BPM | |
 | Orchestral Set No 2: I. An Elegy to our Forefathers - 1993 Remastered Version | Charles Ives, Morton Gould, Chicago Symphony Orchestra, Chicago Symphony Chorus Members | A Major | 5 | 11B | 61 BPM | |
 | Piano Concerto in F Major: III. Allegro agitato | George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta | A♭ Major | 2 | 4B | 87 BPM | |
 | España | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Hervé Niquet | F Major | 3 | 7B | 117 BPM | |
 | A Fugal Concerto, Op. 40, No. 2: I. Moderato | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 2 | 10B | 105 BPM | |
 | Glazunov: Concert Waltz No. 1, Op. 47 | Alexander Glazunov, Sir Charles Mackerras, Philharmonia Orchestra | B♭ Major | 1 | 6B | 107 BPM | |
 | The Running Set | Ralph Vaughan Williams, Royal Liverpool Philharmonic Orchestra, James Judd | E Minor | 2 | 9A | 78 BPM | |
 | Pictures at an Exhibition: The Great Gate at Kiev | Modest Mussorgsky, George Szell, Cleveland Orchestra | E♭ Major | 1 | 5B | 131 BPM | |
 | Jazz Suite No 2 (Suite für Varieté Orchester): 6. Walzer | Dmitri Shostakovich, Brandenburgisches Staatsorchester Frankfurt, Howard Griffiths | B♭ Major | 3 | 6B | 174 BPM | |
 | Clarinet Concerto in C Minor, Op. 31: III. Rondo: Allegro giocoso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F Major | 1 | 7B | 77 BPM | |
 | Lemminkäinen Suite, Op. 22: No. 4, Lemminkäinen's Return | Jean Sibelius, Morton Gould | C Minor | 3 | 5A | 149 BPM | |
| A Fugal Concerto, Op. 40, No. 2: III. Allegro | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | A♭ Minor | 2 | 1A | 95 BPM | |
 | No. 3, Mexican Dance & Finale | Aaron Copland, Colorado Symphony, Andrew Litton | C Major | 0 | 8B | 59 BPM | |
 | Little Suite: March | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | G Major | 2 | 9B | 128 BPM | |
 | American Symphonette No. 3: Pavanne | Morton Gould, New London Orchestra, Ronald Corp | D Major | 2 | 10B | 89 BPM | |
 | Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | |
 | Bacchanale - 1987 Remastered Version | Jacques Ibert, City Of Birmingham Symphony Orchestra, Louis Frémaux | E Major | 0 | 12B | 92 BPM | |
 | I Never Know When To Say When | Leroy Anderson | C Minor | 3 | 5A | 94 BPM | |
 | Lullaby (Version for String Orchestra) | George Gershwin, Yuan Tung, St. Louis Symphony, Leonard Slatkin | F♯ Major | 1 | 2B | 73 BPM | |
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | |
 | Tirant lo Blanc (Version for Symphonic Band): I. Casament del Rei d'Anglaterra | Joan Lluís Moraleda, Banda Municipal De Barcelona, Salvador Brotons | A Major | 3 | 11B | 124 BPM | |
 | English Folk Song Suite: I. March "Seventeen Come Sunday" | Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | A♭ Major | 2 | 4B | 117 BPM |
- ISRC
- USKC61620701
- Label
- L-M Records/RCA Records