On 2011, the song "Anclado en París" was released by Orquesta Tipica Buenos Aires. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Tangos Eternos". In this album, this song's track order is #14. Based on our statistics, Anclado en París's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Anclado en París by Orquesta Tipica Buenos Aires having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Vals Soñado | Miguel Caló | D Major | 3 | 10B | 130 BPM | ||
| Ninguna - Alternate Take | Ricardo Malerba | F♯ Major | 3 | 2B | 120 BPM | ||
| 9 de Julio | Orquesta Juan D' Arienzo | G Minor | 6 | 6A | 128 BPM | ||
| Milonguita | Orquesta Tipica Buenos Aires | A Major | 1 | 11B | 121 BPM | ||
| Loca | Los Reyes Del Tango | E Minor | 4 | 9A | 136 BPM | ||
| Silencio | Orquesta De Tangos Argentina, Luis Mendoza | C Minor | 6 | 5A | 123 BPM | ||
| Desde el Alma | Color Tango | B Minor | 2 | 10A | 85 BPM | ||
| Criolla Linda | Francisco Lomuto | F♯ Major | 3 | 2B | 120 BPM | ||
| Oigo Tu Voz | Orquesta Típica Tanturi, Hugo Araujo | D♭ Major | 2 | 3B | 148 BPM | ||
| Andate por Dios | La Juan D'Arienzo | A Major | 6 | 11B | 137 BPM | ||
| Canaro en Pariz - Instrumental | Orquesta Tipica Buenos Aires | G Major | 1 | 9B | 120 BPM | ||
| Garua | Alberto Gomez | F♯ Major | 3 | 2B | 120 BPM | ||
| Adios Muchachos | Florindo Sassone Y Su Gran Orq. Tipica | C Major | 3 | 8B | 117 BPM | ||
| Vamos corazon | Orquesta Typica Osvaldo Fresedo, Ricardo Ruiz | F Minor | 2 | 4A | 133 BPM | ||
| Amor Y Primavera | Francisco Canaro Y Su Orquesta Tipica | B♭ Minor | 2 | 3A | 170 BPM | ||
| No Mientas | Pablo Valle Sexteto | G Minor | 3 | 6A | 137 BPM | ||
| La Bruja | Juan D'Arienzo and his Orchestra, Mario Bustos | A Minor | 4 | 8A | 127 BPM | ||
| Rodriges Pena | Experience Tango Orchestra | A Major | 4 | 11B | 122 BPM | ||
| Maipu | Argentina Tango Orchestra | B Major | 2 | 1B | 119 BPM | ||
| Al pasar | Ricardo Tanturi y Enrique Campos | F♯ Major | 4 | 2B | 114 BPM | ||
| Felicia | Bandonegro | E Minor | 2 | 9A | 105 BPM | ||
| Buenos Aires | Orquesta Tipica Buenos Aires | E Major | 1 | 12B | 119 BPM | ||
| La Mulateada | Bandonegro | F Minor | 4 | 4A | 113 BPM | ||
| La Madrugada | La Auténtica Milonguera | A Minor | 3 | 8A | 121 BPM | ||
| No Te Quiero Más | Juan D'Arienzo and his Orchestra, Mario Bustos | B Minor | 5 | 10A | 125 BPM |