"Spring, 3rd Movement (Allegro)" by Antonio Vivaldi, Harry Standing, Moscow Symphony Orchestra had its release date on September 9, 2021. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 19 out of 20 in Classical Serious, Set 4 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Spring, 3rd Movement (Allegro) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Spring, 3rd Movement (Allegro) by Antonio Vivaldi, Harry Standing, Moscow Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Sylphide: Act I: Overture | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | E Major | 1 | 12B | 132 BPM | ||
| Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
| The Firebird (Original Version): No. 20, Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | E♭ Minor | 0 | 2A | 172 BPM | ||
| Don Quixote: Prologue: Allegro assai | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 3 | 10B | 141 BPM | ||
| The Adventures of Robin Hood: The Gallows - The Flight of Robin Hood | Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg | A♭ Major | 2 | 4B | 73 BPM | ||
| The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | A Major | 2 | 11B | 70 BPM | ||
| Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 1 | 6B | 96 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: IV. Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
| First Intermezzo (After G. Bizet) | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 175 BPM | ||
| The Maltese Falcon : The Plot | Moscow Symphony Orchestra, John Morgan, Adolph Deutsch | G Major | 1 | 9B | 112 BPM | ||
| Ballet Suite No. 1, Op. 84a: II. Dance | Dmitri Shostakovich, Emin Khatchaturian, Moscow Symphony Orchestra | D Major | 2 | 10B | 175 BPM | ||
| Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo Philharmonic Orchestra, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
| Strauss II, J: Frühlingsstimmen, Op. 410 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 103 BPM | ||
| Die Walküre: Magic Fire Music | Richard Wagner, George Szell, Cleveland Orchestra | G Major | 2 | 9B | 80 BPM | ||
| Maskerade-Suite: III. Mazurka | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | A Major | 2 | 11B | 68 BPM | ||
| Sylvia: Act III: Divertissement: Variation - Valse | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 1 | 5B | 97 BPM | ||
| Gayane Suite No. 2: III. Dance of the Boys | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D♭ Minor | 7 | 12A | 103 BPM | ||
| Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| Le roi s'amuse: Scene du bouquet | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | F♯ Minor | 0 | 11A | 136 BPM | ||
| Valse triste, Op. 44 No. 1 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
| Serenade For Strings, Op.11 | Dag Wirén, Johannes Somary, English Chamber Orchestra | G Major | 3 | 9B | 135 BPM | ||
| King Kong (reconstructed J. Morgan): Cryptic Shadows | Max Steiner, John Morgan, Moscow Symphony Orchestra, William Stromberg | B♭ Major | 0 | 6B | 101 BPM | ||
| Maskerade-Suite: II. Nocturne | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | A Major | 1 | 11B | 104 BPM |