"Crypt" by Brian Tuey had its release date on September 3, 2013. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Origins (Original Game Soundtrack)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Crypt is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Crypt by Brian Tuey having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Echoes of the Damned (From “Call of Duty: Black Ops Cold War”) | Kevin Sherwood, James McCawley | F Major | 9 | 7B | 90 BPM | ||
| Rising Ancients | Brian Tuey | C Minor | 8 | 5A | 120 BPM | ||
| Raccoon City | Masami Ueda | D Major | 5 | 10B | 142 BPM | ||
| Welcome to 4th Echelon | Mike Zarin, Tony Hajjar | C Major | 7 | 8B | 163 BPM | ||
| Origin System | George Spanos | B♭ Major | 1 | 6B | 86 BPM | ||
| Praise the Sunlight | Pawel Blaszczak | F Major | 1 | 7B | 161 BPM | ||
| The Fear of Everything | Johan Söderqvist, Patrik Andrén | F Minor | 6 | 4A | 138 BPM | ||
| Panic | Zhenlan Kang | D♭ Major | 2 | 3B | 128 BPM | ||
| Laughing Corpses | James McCawley | E Minor | 9 | 9A | 90 BPM | ||
| Diaz | Jack Wall | G Major | 5 | 9B | 175 BPM | ||
| Samantha's Journey (From “Call of Duty: Black Ops 3 - ps4 theme”) | Brian Tuey | D Minor | 2 | 7A | 119 BPM | ||
| Sudden Trouble | Cliff Martinez | F Major | 7 | 7B | 120 BPM | ||
| Samantha's Soul | Brian Tuey, Tori Letzler | D Minor | 4 | 7A | 106 BPM | ||
| Burnt Ivory King | Motoi Sakuraba | A Minor | 6 | 8A | 81 BPM | ||
| Titan | Cris Velasco, Sascha Dikiciyan | A♭ Major | 7 | 4B | 115 BPM | ||
| Drums from Hell | Kota Suzuki | C Minor | 6 | 5A | 105 BPM | ||
| Formidable Foe I | Yuka Kitamura | D♭ Minor | 6 | 12A | 119 BPM | ||
| First to Fall | Stephen Barton | D♭ Major | 9 | 3B | 150 BPM | ||
| The Runner | Johan Söderqvist, Patrik Andrén | A♭ Minor | 5 | 1A | 100 BPM | ||
| Blood and Rust | Stephen Barton | E Minor | 5 | 9A | 80 BPM | ||
| Deadly Claws | Metro Exodus, Alexey Omelchuk | C Major | 8 | 8B | 145 BPM | ||
| Stealing the Buggy | Pawel Blaszczak | D♭ Major | 10 | 3B | 95 BPM | ||
| I Can't Let My People Die - Markus | John Paesano | E♭ Minor | 5 | 2A | 148 BPM | ||
| On the Edge | Pawel Blaszczak | C Major | 4 | 8B | 180 BPM | ||
| Mines of Avarice Combat - Tiny Tina's Assault on Dragon Keep | Raison Varner | A Minor | 4 | 8A | 144 BPM |