Harry Partch's ' "Plectra & Percussion Dances, Pt. 1b "Pollux": III. Incubation" was released on its scheduled release date, August 12, 2014. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Harry Partch's "Harry Partch: Plectra & Percussion Dances" album is number 7 out of 21. On top of that, United States appears to be the country where this track was created. Plectra & Percussion Dances, Pt. 1b "Pollux": III. Incubation is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Plectra & Percussion Dances, Pt. 1b "Pollux": III. Incubation by Harry Partch to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mio Jeone | Thelma | C Major | 2 | 8B | 65 BPM | ||
| La pietà - short edit | Mario Massa, Carlo Spera | D Minor | 1 | 7A | 74 BPM | ||
| Feeling Real Heavy | Brecht Ameel | E Major | 1 | 12B | 77 BPM | ||
| Répons: Section 1 | Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain | A♭ Minor | 3 | 1A | 82 BPM | ||
| Dark/Light 1 | Meredith Monk | F Minor | 0 | 4A | 86 BPM | ||
| Poème Electronique | Edgard Varèse | A♭ Major | 0 | 4B | 70 BPM | ||
| Guitars Out of Control | Marina Frescobaldi | E♭ Major | 3 | 5B | 33 BPM | ||
| Witch of Endor - Instrumental | Moondog | C Major | 4 | 8B | 104 BPM | ||
| Chromelodeon I | Harry Partch | G Minor | 1 | 6A | 134 BPM | ||
| Eleven Instrusions VI: The Wind | Harry Partch, Betty Johnston, Ben Johnston, Donald Pippin, Bill Snead | G Major | 1 | 9B | 101 BPM | ||
| Dank sei dir Gott | George Frideric Handel, Ernst Reijseger, Emmi Leisner | A Major | 4 | 11B | 104 BPM | ||
| Wholesome Us | Anica Popovic | C Major | 2 | 8B | 65 BPM | ||
| Oraison | Olivier Messiaen | E Major | 0 | 12B | 74 BPM | ||
| Eleven Instrusions VIII: Lover | Harry Partch, Bill Snead, Betty Johnston, Ben Johnston, Donald Pippin | C Minor | 1 | 5A | 119 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| Shaw Town | Chicago Underground Trio | F Major | 0 | 7B | 80 BPM | ||
| Cinq etudes de bruits - Etude aux chemins de fer | Pierre Schaeffer | B♭ Minor | 8 | 3A | 78 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 6 | John Cage, Boris Berman | E Minor | 0 | 9A | 127 BPM | ||
| No. 3, Create New Pattern | Julius Eastman, Wild Up, Christopher Rountree | E♭ Major | 4 | 5B | 124 BPM | ||
| Sono Arrivate le Streghe | Marina Frescobaldi | D♭ Major | 2 | 3B | 35 BPM | ||
| No. 4, Hold and Return | Julius Eastman, Wild Up, Christopher Rountree | F Minor | 0 | 4A | 76 BPM | ||
| City City City | Derek Bailey, John Zorn, George Lewis | A Minor | 2 | 8A | 112 BPM | ||
| Sedicente | Zeno Gabaglio | D♭ Major | 6 | 3B | 170 BPM | ||
| Extended Circular Music No. 1 | Jürg Frey, Mondrian Ensemble | D♭ Major | 0 | 3B | 69 BPM | ||
| Il Misterioso Monaco | Marina Frescobaldi | B♭ Major | 1 | 6B | 106 BPM |