Ferdinand Ries, Christopher Hinterhuber, Gävle Symphony Orchestra, Uwe Grodd's 'Piano Concerto No. 3 in C-Sharp Minor, Op. 55: III. Rondo. Allegretto' had a release date set for September 1, 2007. This song appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Ries: Piano Concertos, Vol. 2". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Piano Concerto No. 3 in C-Sharp Minor, Op. 55: III. Rondo. Allegretto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 3 in C-Sharp Minor, Op. 55: III. Rondo. Allegretto by Ferdinand Ries, Christopher Hinterhuber, Gävle Symphony Orchestra, Uwe Grodd having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mozart: Violin Concerto No. 5 in A Major, K. 219 "Turkish": II. Adagio (Cadenza by Joachim) | Wolfgang Amadeus Mozart, Vilde Frang, Jonathan Cohen, Arcangelo | F♯ Minor | 3 | 11A | 187 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo, con Grazia | Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh | A♭ Major | 0 | 4B | 176 BPM | ||
| Mozart: Piano Concerto No. 21 in C Major, K. 467: III. Allegro vivace assai | Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber Orchestra | C Major | 2 | 8B | 84 BPM | ||
| Piano Concerto No.2 in G minor, Op.22: 3. Presto | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | G Minor | 2 | 6A | 110 BPM | ||
| Sarabande und Chaconne aus dem Singspiel Almira von Händel, S. 181: Sarabande | George Frideric Handel, Roberto Cominati | C Minor | 0 | 5A | 66 BPM | ||
| Mélodie, Op. 43, No. 3 | Pyotr Ilyich Tchaikovsky, Jan Vogler, Dresdner Kapellsolisten, Helmut Branny | E♭ Major | 1 | 5B | 179 BPM | ||
| Perpetuum mobile | Ferdinand Ries, Wolfgang Schneiderhan, Albert Hirsh | D Minor | 3 | 7A | 101 BPM | ||
| Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM | ||
| Wiegenlied No. 4 Lullaby in E Flat Major, Op. 49 - Strings Version | Classical Music for Cats | B Minor | 2 | 10A | 77 BPM | ||
| String Quintet in C, D.956: 2. Adagio | Franz Schubert, Walter Levin, Henry Meyer, Peter Kamnitzer, Lee Fiser, Lynn Harrell | F Major | 0 | 7B | 111 BPM | ||
| Nocturne No. 18 in E Major. Allegretto "Midi" | John Field, John O'Conor | A Minor | 0 | 8A | 143 BPM | ||
| Cello Concerto in C, H.VIIb, No.1: 1. Moderato | Joseph Haydn, Jian Wang, The Gulbenkian Orchestra, Muhai Tang | C Major | 1 | 8B | 131 BPM | ||
| Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato | Edvard Grieg, Murray Perahia, Sir Colin Davis, Bavarian Radio Symphony Orchestra | E Minor | 2 | 9A | 152 BPM | ||
| Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio ma non troppo | Carl Maria von Weber, Andreas Ottensamer, Berliner Philharmoniker, Mariss Jansons | C Major | 0 | 8B | 72 BPM | ||
| Clarinet Concerto No. 2 in E flat major Op.74: II: Romanza: Andante | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | G Minor | 0 | 6A | 78 BPM | ||
| Kreisler: Marche miniature viennoise | Renaud Capuçon, Gautier Capuçon, Aude Capucon | D Major | 1 | 10B | 101 BPM | ||
| Bagatelles I-XIII: Bagatelle I | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 135 BPM | ||
| Piano Concerto No. 2 in F Minor, Op. 21 (Arr. Pletnev): III. Allegro vivace | Frédéric Chopin, Daniil Trifonov, Mahler Chamber Orchestra, Mikhail Pletnev | F Minor | 2 | 4A | 103 BPM | ||
| Huit Nocturnes, Op. 368: No. 3 in A-Flat Major | Carl Czerny, Isabelle Oehmichen | A♭ Major | 0 | 4B | 63 BPM | ||
| Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Orquesta Sinfónica de Navarra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 107 BPM | ||
| Nocturne No. 5 in B-Flat Major | John Field, Miceal O'Rourke | B♭ Major | 0 | 6B | 73 BPM | ||
| Erinnerung, WAB 117: Erinnerung in A-Flat Major, WAB 117 | Anton Bruckner, Fumiko Shiraga | F♯ Major | 0 | 2B | 71 BPM | ||
| Oberon, J. 306: Overture (Live) | Carl Maria von Weber, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 2 | 10B | 129 BPM | ||
| Piano Concerto No. 4 in G Minor: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | C Minor | 1 | 5A | 180 BPM | ||
| Mendelssohn-Hensel, F: String Quartet in E-Flat Major: II. Allegretto | Fanny Mendelssohn, Quatuor Ébène | C Minor | 3 | 5A | 151 BPM |