On May 28, 2005, the song "Kesariya Baalam" was released by Rekha Rao. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rao, Kumar Vishu's "Gorband Vol-1" album is number 5 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Kesariya Baalam is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kesariya Baalam by Rekha Rao to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nain Tere Maa Naina Devi | Karnail Rana | B♭ Minor | 9 | 3A | 140 BPM | ||
| Kanhaiya Meri Laaj Rakhna | Reshmi Sharma | D♭ Minor | 10 | 12A | 115 BPM | ||
| Bhagwat Bhagwan Ki Aarti | Devendra Pathak | A♭ Major | 8 | 4B | 82 BPM | ||
| Kala Pan Ghana Rupala Sa Sanwariya Sarkar - Original | Gokul Sharma | A♭ Major | 9 | 4B | 144 BPM | ||
| Hole Hole Chale - Fera | Veena | A♭ Minor | 7 | 1A | 162 BPM | ||
| Meri Pehchan Sawarye Tere Naam Se | Reshmi Sharma | A Minor | 9 | 8A | 150 BPM | ||
| Mata Bhajan - Mata Rani Ka Shringar | Kavita Raam | F Major | 7 | 7B | 136 BPM | ||
| Baba Ramdevji Prachin Aarti | Prakash Mali | B♭ Minor | 8 | 3A | 91 BPM | ||
| Radhe Radhe Japo Chale Aayenge | Arun Nagpal | B Major | 8 | 1B | 130 BPM | ||
| Duniya Se Main Hara To Aaya Tere Dwar | Ankit Pathak | D♭ Major | 9 | 3B | 95 BPM | ||
| Ghoomar | Rekha Rao | E♭ Major | 7 | 5B | 151 BPM | ||
| Tere Darbar Mein Maiya Khushi Milti Hai | Brijraj Singh Lakkha | D♭ Major | 10 | 3B | 106 BPM | ||
| Mithe Ras Se Bharyo Re Radha Rani Lage | Asif Jeriya, Ami Joshi | D♭ Major | 5 | 3B | 90 BPM | ||
| Ye Fagun Ki Rut Hai | Debashish Dasgupta, Rekha Rao, Arvind Jha, Balbir Nirdosh | D Major | 7 | 10B | 86 BPM | ||
| Naache - Naache Re Anjani Maa Ko Laal | Pt. Ram Avtar Sharma | F Minor | 9 | 4A | 98 BPM | ||
| Bhooli Fotu To Khichwale | Tej Karan Rao, Rekha Rao, Yogesh Rao | A♭ Major | 7 | 4B | 107 BPM | ||
| Jai Jai Shree Ganesha | Raj Sachdev, Rekha Rao | C Major | 7 | 8B | 123 BPM | ||
| Choli Ke Andar | Rekha Rao | B♭ Minor | 7 | 3A | 133 BPM | ||
| Main Toh Aarti Utaru Re Santoshi Mata Ki | Amjad Nadeem, Rani Indrani Sharma | D Major | 6 | 10B | 176 BPM | ||
| Hari Sundar Nand Mukund - Lofi | Chetna Shukla | D Major | 4 | 10B | 81 BPM | ||
| Tera Dar To Haqiqat Me Dukhiyon Ka Sahara Hai | Gajendra Pratap Singh | D♭ Major | 8 | 3B | 102 BPM | ||
| Dhara To Beh Rahi | Mridul Krishan Shastri | B Major | 9 | 1B | 129 BPM | ||
| Chham Chham Baaje Ghunghroo | Tej Karan Rao, Rekha Rao | D♭ Minor | 6 | 12A | 94 BPM | ||
| Tera Naam Lete Lete | Reshmi Sharma | C Major | 7 | 8B | 112 BPM | ||
| Chhailo Jhala Dair Bulave | Seema Mishra, Mukesh Bagda | D♭ Minor | 6 | 12A | 79 BPM |